PAGE 9
Full Circle
by
Betton felt a rush of puerile joy at the suggestion. Actually, he hadn’t thought of that!
“There was a big second crop after ‘Diadems and Faggots,'” he mused aloud.
“Of course. Wait and see,” said Vyse confidently.
The letters in fact began again–more gradually and in smaller numbers. But their quality was different, as Vyse had predicted. And in two cases Betton’s correspondents, not content to compress into one rapid communication the thoughts inspired by his work, developed their views in a succession of really remarkable letters. One of the writers was a professor in a Western college; the other was a girl in Florida. In their language, their point of view, their reasons for appreciating “Abundance,” they differed almost diametrically; but this only made the unanimity of their approval the more striking. The rush of correspondence evoked by Betton’s earlier novel had produced nothing so personal, so exceptional as these communications. He had gulped the praise of “Diadems and Faggots” as undiscriminatingly as it was offered; now he knew for the first time the subtler pleasures of the palate. He tried to feign indifference, even to himself; and to Vyse he made no sign. But gradually he felt a desire to know what his secretary thought of the letters, and, above all, what he was saying in reply to them. And he resented acutely the possibility of Vyse’s starting one of his clandestine correspondences with the girl in Florida. Vyse’s notorious lack of delicacy had never been more vividly present to Betton’s imagination; and he made up his mind to answer the letters himself.
He would keep Vyse on, of course: there were other communications that the secretary could attend to. And, if necessary, Betton would invent an occupation: he cursed his stupidity in having betrayed the fact that his books were already catalogued.
Vyse showed no surprise when Betton announced his intention of dealing personally with the two correspondents who showed so flattering a reluctance to take their leave. But Betton immediately read a criticism in his lack of comment, and put forth, on a note of challenge: “After all, one must be decent!”
Vyse looked at him with an evanescent smile. “You’ll have to explain that you didn’t write the first answers.”
Betton halted. “Well–I–I more or less dictated them, didn’t I?”
“Oh, virtually, they’re yours, of course.”
“You think I can put it that way?”
“Why not?” The secretary absently drew an arabesque on the blotting-pad. “Of course they’ll keep it up longer if you write yourself,” he suggested.
Betton blushed, but faced the issue. “Hang it all, I sha’n’t be sorry. They interest me. They’re remarkable letters.” And Vyse, without observation, returned to his writings.
The spring, that year, was delicious to Betton. His college professor continued to address him tersely but cogently at fixed intervals, and twice a week eight serried pages came from Florida. There were other letters, too; he had the solace of feeling that at last “Abundance” was making its way, was reaching the people who, as Vyse said, read slowly because they read intelligently. But welcome as were all these proofs of his restored authority they were but the background of his happiness. His life revolved for the moment about the personality of his two chief correspondents. The professor’s letters satisfied his craving for intellectual recognition, and the satisfaction he felt in them proved how completely he had lost faith in himself. He blushed to think that his opinion of his work had been swayed by the shallow judgments of a public whose taste he despised. Was it possible that he had allowed himself to think less well of “Abundance” because it was not to the taste of the average novel-reader? Such false humility was less excusable than the crudest appetite for praise: it was ridiculous to try to do conscientious work if one’s self-esteem were at the mercy of popular judgments. All this the professor’s letters delicately and indirectly conveyed to Betton, with the result that the author of “Abundance” began to recognize in it the ripest flower of his genius.