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“Diadems and Faggots” was now two years old, and the moment was at hand when its author might have counted on regaining the blessed shelter of oblivion–if only he had not written another book! For it was the worst part of his plight that his first success had goaded him to the perpetration of this particular folly–that one of the incentives (hideous thought!) to his new work had been the desire to extend and perpetuate his popularity. And this very week the book was to come out, and the letters, the cursed letters, would begin again!

Wistfully, almost plaintively, he contemplated the breakfast-tray with which Strett presently appeared. It bore only two notes and the morning journals, but he knew that within the week it would groan under its epistolary burden. The very newspapers flung the fact at him as he opened them.

READY ON MONDAY.

GEOFFREY BETTON’S NEW NOVEL

ABUNDANCE.

BY THE AUTHOR OF “DIADEMS AND FAGGOTS.”

FIRST EDITION OF ONE HUNDRED AND FIFTY THOUSAND ALREADY SOLD OUT.

ORDER NOW.

A hundred and fifty thousand volumes! And an average of three readers to each! Half a million of people would be reading him within a week, and every one of them would write to him, and their friends and relations would write too. He laid down the paper with a shudder.

The two notes looked harmless enough, and the calligraphy of one was vaguely familiar. He opened the envelope and looked at the signature: Duncan Vyse. He had not seen the name in years–what on earth could Duncan Vyse have to say? He ran over the page and dropped it with a wondering exclamation, which the watchful Strett, re-entering, met by a tentative “Yes, sir?”

“Nothing. Yes–that is–” Betton picked up the note. “There’s a gentleman, a Mr. Vyse, coming to see me at ten.”

Strett glanced at the clock. “Yes, sir. You’ll remember that ten was the hour you appointed for the secretaries to call, sir.”

Betton nodded. “I’ll see Mr. Vyse first. My clothes, please.”

As he got into them, in the state of irritable hurry that had become almost chronic with him, he continued to think about Duncan Vyse. They had seen a lot of each other for the few years after both had left Harvard: the hard happy years when Betton had been grinding at his business and Vyse–poor devil!–trying to write. The novelist recalled his friend’s attempts with a smile; then the memory of one small volume came back to him. It was a novel: “The Lifted Lamp.” There was stuff in that, certainly. He remembered Vyse’s tossing it down on his table with a gesture of despair when it came back from the last publisher. Betton, taking it up indifferently, had sat riveted till daylight. When he ended, the impression was so strong that he said to himself: “I’ll tell Apthorn about it–I’ll go and see him to-morrow.” His own secret literary yearnings gave him a passionate desire to champion Vyse, to see him triumph over the ignorance and timidity of the publishers. Apthorn was the youngest of the guild, still capable of opinions and the courage of them, a personal friend of Betton’s, and, as it happened, the man afterward to become known as the privileged publisher of “Diadems and Faggots.” Unluckily the next day something unexpected turned up, and Betton forgot about Vyse and his manuscript. He continued to forget for a month, and then came a note from Vyse, who was ill, and wrote to ask what his friend had done. Betton did not like to say “I’ve done nothing,” so he left the note unanswered, and vowed again: “I’ll see Apthorn.”

The following day he was called to the West on business, and was gone a month. When he came back, there was another note from Vyse, who was still ill, and desperately hard up. “I’ll take anything for the book, if they’ll advance me two hundred dollars.” Betton, full of compunction, would gladly have advanced the sum himself; but he was hard up too, and could only swear inwardly: “I’ll write to Apthorn.” Then he glanced again at the manuscript, and reflected: “No–there are things in it that need explaining. I’d better see him.”