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Freya of the Seven Isles
by
Freya did not turn her head. Her face went stiff with horror and indignation. This adventure was altogether beyond her conception of what was possible. It was not in her character to jump up and run away. It seemed to her, too, that if she did move there was no saying what might happen. Presently her father would be back, and then the other would have to leave off. It was best to ignore–to ignore. She went on playing loudly and correctly, as though she were alone, as if Heemskirk did not exist. That proceeding irritated him.
“Come! You may deceive your father,” he bawled angrily, “but I am not to be made a fool of! Stop this infernal noise . . . Freya . . . Hey! You Scandinavian Goddess of Love! Stop! Do you hear? That’s what you are–of love. But the heathen gods are only devils in disguise, and that’s what you are, too–a deep little devil. Stop it, I say, or I will lift you off that stool!”
Standing behind her, he devoured her with his eyes, from the golden crown of her rigidly motionless head to the heels of her shoes, the line of her shapely shoulders, the curves of her fine figure swaying a little before the keyboard. She had on a light dress; the sleeves stopped short at the elbows in an edging of lace. A satin ribbon encircled her waist. In an access of irresistible, reckless hopefulness he clapped both his hands on that waist–and then the irritating music stopped at last. But, quick as she was in springing away from the contact (the round music-stool going over with a crash), Heemskirk’s lips, aiming at her neck, landed a hungry, smacking kiss just under her ear. A deep silence reigned for a time. And then he laughed rather feebly.
He was disconcerted somewhat by her white, still face, the big light violet eyes resting on him stonily. She had not uttered a sound. She faced him, steadying herself on the corner of the piano with one extended hand. The other went on rubbing with mechanical persistency the place his lips had touched.
“What’s the trouble?” he said, offended. “Startled you? Look here: don’t let us have any of that nonsense. You don’t mean to say a kiss frightens you so much as all that. . . . I know better. . . . I don’t mean to be left out in the cold.”
He had been gazing into her face with such strained intentness that he could no longer see it distinctly. Everything round him was rather misty. He forgot the overturned stool, caught his foot against it, and lurched forward slightly, saying in an ingratiating tone:
“I’m not bad fun, really. You try a few kisses to begin with–“
He said no more, because his head received a terrific concussion, accompanied by an explosive sound. Freya had swung her round, strong arm with such force that the impact of her open palm on his flat cheek turned him half round. Uttering a faint, hoarse yell, the lieutenant clapped both his hands to the left side of his face, which had taken on suddenly a dusky brick-red tinge. Freya, very erect, her violet eyes darkened, her palm still tingling from the blow, a sort of restrained determined smile showing a tiny gleam of her white teeth, heard her father’s rapid, heavy tread on the path below the verandah. Her expression lost its pugnacity and became sincerely concerned. She was sorry for her father. She stooped quickly to pick up the music-stool, as if anxious to obliterate the traces. . . . But that was no good. She had resumed her attitude, one hand resting lightly on the piano, before old Nelson got up to the top of the stairs.
Poor father! How furious he will be–how upset! And afterwards, what tremors, what unhappiness! Why had she not been open with him from the first? His round, innocent stare of amazement cut her to the quick. But he was not looking at her. His stare was directed to Heemskirk, who, with his back to him and with his hands still up to his face, was hissing curses through his teeth, and (she saw him in profile) glaring at her balefully with one black, evil eye.