FullReads

“Perhaps it’s just as well that you don’t rig yourself out for the benefit of those dead beats at the Crossing, or any tramp that might hang round the ranch. Keep all your style for me when I come. I can’t tell you when, it’s mighty uncertain before the rainy season. But I’m coming soon. Don’t go back on your promise about lettin up on the tramps, and being a little more high-toned. And don’t you give ’em so much. It’s true I sent you hats TWICE. I clean forgot all about the first; but I wouldn’t have given a ten-dollar hat to a nigger woman who had a sick baby because I had an extra hat. I’d have let that baby slide. I forgot to ask whether the skirt is worn separately; I must see the dressmaking sharp about it; but I think you’ll want something on besides a jacket and skirt; at least, it looks like it up here. I don’t think you could manage a piano down there without the old man knowing it, and raisin’ the devil generally. I promised you I’d let up on him. Mind you keep all your promises to me. I’m glad you’re gettin’ on with the six-shooter; tin cans are good at fifteen yards, but try it on suthin’ that MOVES! I forgot to say that I am on the track of your big brother. It’s a three years’ old track, and he was in Arizona. The friend who told me didn’t expatiate much on what he did there, but I reckon they had a high old time. If he’s above the earth I’ll find him, you bet. The yerba buena and the southern wood came all right,–they smelt like you. Say, Flip, do you remember the last–the VERY last–thing that happened when you said ‘Good-by’ on the trail? Don’t let me ever find out that you’ve let anybody else kiss–“

But here the virtuous indignation of the Postmaster found vent in an oath. He threw the letter away. He retained of it only two facts,–Flip HAD a brother who was missing; she had a lover present in the flesh.

How much of the substance of this and previous letters Flip had confided to her father I cannot say. If she suppressed anything it was probably that which affected Lance’s secret alone, and it was doubtful how much of that she herself knew. In her own affairs she was frank without being communicative, and never lost her shy obstinacy even with her father. Governing the old man as completely as she did, she appeared most embarrassed when she was most dominant; she had her own way without lifting her voice or her eyes; she seemed oppressed by mauvaise honte when she was most triumphant; she would end a discussion with a shy murmur addressed to herself, or a single gesture of self-consciousness.

The disclosure of her strange relations with an unknown man and the exchange of presents and confidences seemed to suddenly awake Fairley to a vague, uneasy sense of some unfulfilled duties as a parent. The first effect of this on his weak nature was a peevish antagonism to the cause of it. He had long, fretful monologues on the vanity of diamond-making, if accompanied with a “pestering” by “interlopers;” on the wickedness of concealment and conspiracy, and their effects on charcoal-burning; on the nurturing of spies and “adders” in the family circle, and on the seditiousness of dark and mysterious councils in which a gray-haired father was left out. It was true that a word or look from Flip generally brought these monologues to an inglorious and abrupt termination, but they were none the less lugubrious as long as they lasted. In time they were succeeded by an affectation of contrite apology and self-depreciation. “Don’t go out o’ the way to ask the old man,” he would say, referring to the quantity of bacon to be ordered; “it’s nat’ral a young gal should have her own advisers.” The state of the flour barrel would also produce a like self-abasement. “Unless ye’re already in correspondence about more flour, ye might take the opinion o’ the first tramp ye meet ez to whether Santa Cruz Mills is a good brand, but don’t ask the old man.” If Flip was in conversation with the butcher, Fairley would obtrusively retire with the hope “he wasn’t intrudin’ on their secrets.”