PAGE 14
Flavia and Her Artists
by
“But, surely, Mrs. Hamilton, it was, after all, a mere expression of opinion, such as we are any of us likely to venture upon any subject whatever. It was neither more personal nor more extravagant than many of M. Roux’s remarks.”
“But, Imogen, certainly M. Roux has the right. It is a part of his art, and that is altogether another matter. Oh, this is not the only instance!” continued Flavia passionately, “I’ve always had that narrow, bigoted prejudice to contend with. It has always held me back. But this–!”
“I think you mistake his attitude,” replied Imogen, feeling a flush that made her ears tingle. “That is, I fancy he is more appreciative than he seems. A man can’t be very demonstrative about those things–not if he is a real man. I should not think you would care much about saving the feelings of people who are too narrow to admit of any other point of view than their own.” She stopped, finding herself in the impossible position of attempting to explain Hamilton to his wife; a task which, if once begun, would necessitate an entire course of enlightenment which she doubted Flavia’s ability to receive, and which she could offer only with very poor grace.
“That’s just where it stings most”–here Flavia began pacing the floor–“it is just because they have all shown such tolerance and have treated Arthur with such unfailing consideration that I can find no reasonable pretext for his rancor. How can he fail to see the value of such friendships on the children’s account, if for nothing else! What an advantage for them to grow up among such associations! Even though he cares nothing about these things himself he might realize that. Is there nothing I could say by way of explanation? To them, I mean? If someone were to explain to them how unfortunately limited he is in these things–“
“I’m afraid I cannot advise you,” said Imogen decidedly, “but that, at least, seems to me impossible.”
Flavia took her hand and glanced at her affectionately, nodding nervously. “Of course, dear girl, I can’t ask you to be quite frank with me. Poor child, you are trembling and your hands are icy. Poor Arthur! But you must not judge him by this altogether; think how much he misses in life. What a cruel shock you’ve had. I’ll send you some sherry, Good night, my dear.”
When Flavia shut the door Imogen burst into a fit of nervous weeping.
Next morning she awoke after a troubled and restless night. At eight o’clock Miss Broadwood entered in a red and white striped bathrobe.
“Up, up, and see the great doom’s image!” she cried, her eyes sparkling with excitement. “The hall is full of trunks, they are packing. What bolt has fallen? It’s you,
ma cherie
, you’ve brought Ulysses home again and the slaughter has begun!” she blew a cloud of smoke triumphantly from her lips and threw herself into a chair beside the bed.
Imogen, rising on her elbow, plunged excitedly into the story of the Roux interview, which Miss Broadwood heard with the keenest interest, frequently interrupting her with exclamations of delight. When Imogen reached the dramatic scene which terminated in the destruction of the newspaper, Miss Broadwood rose and took a turn about the room, violently switching the tasselled cords of her bathrobe.
“Stop a moment,” she cried, “you mean to tell me that he had such a heaven-sent means to bring her to her senses and didn’t use it–that he held such a weapon and threw it away?”
“Use it?” cried Imogen unsteadily. “Of course he didn’t! He bared his back to the tormentor, signed himself over to punishment in that speech he made at dinner, which everyone understands but Flavia. She was here for an hour last night and disregarded every limit of taste in her maledictions.”