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Fanny And Annie
by
The Rev. Enderby, probably forewarned, came and shook hands with her and welcomed her, in his broad northern, melancholy singsong before he mounted the pulpit. Fanny was handsome in a gauzy dress and a beautiful lace hat. Being a little late, she sat in a chair in the side-aisle wedged in, right in front of the chapel. Harry was in the gallery above, and she could only see him from the eyes upwards. She noticed again how his eyebrows met, blond and not very marked, over his nose. He was attractive too: physically lovable, very. If only–if only her pride had not suffered! She felt he dragged her down.
‘Come, ye thankful people come,
Raise the song of harvest-home.
All is safely gathered in
Ere the winter storms begin–‘
Even the hymn was a falsehood, as the season had been wet, and half the crops were still out, and in a poor way.
Poor Fanny! She sang little, and looked beautiful through that inappropriate hymn. Above her stood Harry–mercifully in a dark suit and dark tie, looking almost handsome. And his lacerating, pure tenor sounded well, when the words were drowned in the general commotion. Brilliant she looked, and brilliant she felt, for she was hot and angrily miserable and inflamed with a sort of fatal despair. Because there was about him a physical attraction which she really hated, but which she could not escape from. He was the first man who had ever kissed her. And his kisses, even while she rebelled from them, had lived in her blood and sent roots down into her soul. After all this time she had come back to them. And her soul groaned, for she felt dragged down, dragged down to earth, as a bird which some dog has got down in the dust. She knew her life would be unhappy. She knew that what she was doing was fatal. Yet it was her doom. She had to come back to him.
He had to sing two solos this afternoon: one before the ‘address’ from the pulpit and one after. Fanny looked at him, and wondered he was not too shy to stand up there in front of all the people. But no, he was not shy. He had even a kind of assurance on his face as he looked down from the choir gallery at her: the assurance of a common man deliberately entrenched in his commonness. Oh, such a rage went through her veins as she saw the air of triumph, laconic, indifferent triumph which sat so obstinately and recklessly on his eyelids as he looked down at her. Ah, she despised him! But there he stood up in that choir gallery like Balaam’s ass in front of her, and she could not get beyond him. A certain winsomeness also about him. A certain physical winsomeness, and as if his flesh were new and lovely to touch. The thorn of desire rankled bitterly in her heart.
He, it goes without saying, sang like a canary this particular afternoon, with a certain defiant passion which pleasantly crisped the blood of the congregation. Fanny felt the crisp flames go through her veins as she listened. Even the curious loud-mouthed vernacular had a certain fascination. But, oh, also, it was so repugnant. He would triumph over her, obstinately he would drag her right back into the common people: a doom, a vulgar doom.
The second performance was an anthem, in which Harry sang the solo parts. It was clumsy, but beautiful, with lovely words.
‘They that sow in tears shall reap in joy, He that goeth forth and weepeth, bearing precious seed Shall doubtless come again with rejoicing, bringing his sheaves with him–‘
‘Shall doubtless come, Shall doubtless come–‘ softly intoned the altos–‘Bringing his she-e-eaves with him,’ the trebles flourished brightly, and then again began the half-wistful solo:
‘They that sow in tears shall reap in joy–‘