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She had her berth just ahead of me, and her name was Diana,–Diana not of Ephesus but of Bremen. This was proclaimed in white letters a foot long spaced widely across the stern (somewhat like the lettering of a shop-sign) under the cottage windows. This ridiculously unsuitable name struck one as an impertinence towards the memory of the most charming of goddesses; for, apart from the fact that the old craft was physically incapable of engaging in any sort of chase, there was a gang of four children belonging to her. They peeped over the rail at passing boats and occasionally dropped various objects into them. Thus, sometime before I knew Hermann to speak to, I received on my hat a horrid rag-doll belonging to Hermann’s eldest daughter. However, these youngsters were upon the whole well behaved. They had fair heads, round eyes, round little knobby noses, and they resembled their father a good deal.

This Diana of Bremen was a most innocent old ship, and seemed to know nothing of the wicked sea, as there are on shore households that know nothing of the corrupt world. And the sentiments she suggested were unexceptionable and mainly of a domestic order. She was a home. All these dear children had learned to walk on her roomy quarter-deck. In such thoughts there is something pretty, even touching. Their teeth, I should judge, they had cut on the ends of her running gear. I have many times observed the baby Hermann (Nicholas) engaged in gnawing the whipping of the fore-royal brace. Nicholas’ favourite place of residence was under the main fife-rail. Directly he was let loose he would crawl off there, and the first seaman who came along would bring him, carefully held aloft in tarry hands, back to the cabin door. I fancy there must have been a standing order to that effect. In the course of these transportations the baby, who was the only peppery person in the ship, tried to smite these stalwart young German sailors on the face.

Mrs. Hermann, an engaging, stout housewife, wore on board baggy blue dresses with white dots. When, as happened once or twice I caught her at an elegant little wash-tub rubbing hard on white collars, baby’s socks, and Hermann’s summer neckties, she would blush in girlish confusion, and raising her wet hands greet me from afar with many friendly nods. Her sleeves would be rolled up to the elbows, and the gold hoop of her wedding ring glittered among the soapsuds. Her voice was pleasant, she had a serene brow, smooth bands of very fair hair, and a good-humoured expression of the eyes. She was motherly and moderately talkative. When this simple matron smiled, youthful dimples broke out on her fresh broad cheeks. Hermann’s niece on the other hand, an orphan and very silent, I never saw attempt a smile. This, however, was not gloom on her part but the restraint of youthful gravity.

They had carried her about with them for the last three years, to help with the children and be company for Mrs. Hermann, as Hermann mentioned once to me. It had been very necessary while they were all little, he had added in a vexed manner. It was her arm and her sleek head that I had glimpsed one morning, through the stern-windows of the cabin, hovering over the pots of fuchsias and mignonette; but the first time I beheld her full length I surrendered to her proportions. They fix her in my mind, as great beauty, great intelligence, quickness of wit or kindness of heart might have made some her other woman equally memorable.

With her it was form and size. It was her physical personality that had this imposing charm. She might have been witty, intelligent, and kind to an exceptional degree. I don’t know, and this is not to the point. All I know is that she was built on a magnificent scale. Built is the only word. She was constructed, she was erected, as it were, with a regal lavishness. It staggered you to see this reckless expenditure of material upon a chit of a girl. She was youthful and also perfectly mature, as though she had been some fortunate immortal. She was heavy too, perhaps, but that’s nothing. It only added to that notion of permanence. She was barely nineteen. But such shoulders! Such round arms! Such a shadowing forth of mighty limbs when with three long strides she pounced across the deck upon the overturned Nicholas–it’s perfectly indescribable! She seemed a good, quiet girl, vigilant as to Lena’s needs, Gustav’s tumbles, the state of Carl’s dear little nose–conscientious, hardworking, and all that. But what magnificent hair she had! Abundant, long, thick, of a tawny colour. It had the sheen of precious metals. She wore it plaited tightly into one single tress hanging girlishly down her back and its end reached down to her waist. The massiveness of it surprised you. On my word it reminded one of a club. Her face was big, comely, of an unruffled expression. She had a good complexion, and her blue eyes were so pale that she appeared to look at the world with the empty white candour of a statue. You could not call her good-looking. It was something much more impressive. The simplicity of her apparel, the opulence of her form, her imposing stature, and the extraordinary sense of vigorous life that seemed to emanate from her like a perfume exhaled by a flower, made her beautiful with a beauty of a rustic and olympian order. To watch her reaching up to the clothes-line with both arms raised high above her head, caused you to fall a musing in a strain of pagan piety. Excellent Mrs. Hermann’s baggy cotton gowns had some sort of rudimentary frills at neck and bottom, but this girl’s print frocks hadn’t even a wrinkle; nothing but a few straight folds in the skirt falling to her feet, and these, when she stood still, had a severe and statuesque quality. She was inclined naturally to be still whether sitting or standing. However, I don’t mean to say she was statuesque. She was too generously alive; but she could have stood for an allegoric statue of the Earth. I don’t mean the worn-out earth of our possession, but a young Earth, a virginal planet undisturbed by the vision of a future teeming with the monstrous forms of life and death, clamorous with the cruel battles of hunger and thought.