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But nevertheless, she brought a new difficulty. Winifred must have a nurse for her. Yes, yes, there must be a nurse. It was the family decree. Who was to pay for the nurse? The grandfather–seeing the father himself earned no money. Yes, the grandfather would pay, as he had paid all the lying-in expenses. There came a slight sense of money-strain. Egbert was living on his father-in-law.

After the child was born, it was never quite the same between him and Winifred. The difference was at first hardly perceptible. But it was there. In the first place Winifred had a new centre of interest. She was not going to adore her child. But she had what the modern mother so often has in the place of spontaneous love: a profound sense of duty towards her child. Winifred appreciated her darling little girl, and felt a deep sense of duty towards her. Strange, that this sense of duty should go deeper than the love for her husband. But so it was. And so it often is. The responsibility of motherhood was the prime responsibility in Winifred’s heart: the responsibility of wifehood came a long way second.

Her child seemed to link her up again in a circuit with her own family. Her father and mother, herself, and her child, that was the human trinity for her. Her husband–? Yes, she loved him still. But that was like play. She had an almost barbaric sense of duty and of family. Till she married, her first human duty had been towards her father: he was the pillar, the source of life, the everlasting support. Now another link was added to the chain of duty: her father, herself, and her child.

Egbert was out of it. Without anything happening, he was gradually, unconsciously excluded from the circle. His wife still loved him, physically. But, but–he was almost the unnecessary party in the affair. He could not complain of Winifred. She still did her duty towards him. She still had a physical passion for him, that physical passion on which he had put all his life and soul. But–but–

It was for a long while an ever-recurring but. And then, after the second child, another blonde, winsome touching little thing, not so proud and flame-like as Joyce–after Annabel came, then Egbert began truly to realize how it was. His wife still loved him. But–and now the but had grown enormous–her physical love for him was of secondary importance to her. It became ever less important. After all, she had had it, this physical passion, for two years now. It was not this that one lived from. No, no–something sterner, realer.

She began to resent her own passion for Egbert–just a little she began to despise it. For after all there he was, he was charming, he was lovable, he was terribly desirable. But–but–oh, the awful looming cloud of that but!–he did not stand firm in the landscape of her life like a tower of strength, like a great pillar of significance. No, he was like a cat one has about the house, which will one day disappear and leave no trace. He was like a flower in the garden, trembling in the wind of life, and then gone, leaving nothing to show. As an adjunct, as an accessory, he was perfect. Many a woman would have adored to have him about her all her life, the most beautiful and desirable of all her possessions. But Winifred belonged to another school.

The years went by, and instead of coming more to grips with life, he relaxed more. He was of a subtle, sensitive, passionate nature. But he simply would not give himself to what Winifred called life, Work. No, he would not go into the world and work for money. No, he just would not. If Winifred liked to live beyond their small income–well, it was her look-out.

And Winifred did not really want him to go out into the world to work for money. Money became, alas, a word like a firebrand between them, setting them both aflame with anger. But that is because we must talk in symbols. Winifred did not really care about money. She did not care whether he earned or did not earn anything. Only she knew she was dependent on her father for three-fourths of the money spent for herself and her children, that she let that be the casus belli, the drawn weapon between herself and Egbert.