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PAGE 9

Eleanore Cuyler
by [?]

“Because,” continued his new opponent with business-like briskness, “if you’re looking for a fight, you can set right to me. You needn’t think you can come down here and run things–you–” He followed this with an easy roll of oaths, intended to goad his victim into action.

A reformed prize-fighter had once told Van Bibber that there were six rules to observe in a street fight. He said he had forgotten the first five, but the sixth one was to strike first. Van Bibber turned his head towards Miss Cuyler. “You had better run,” he said, over his shoulder; and then, turning quickly, he brought his left fist, with all the strength and weight of his arm and body back of it, against the end of the new-comer’s chin.

This is a most effective blow. This is so because the lower jaw is anatomically loose; and when it is struck heavily, it turns and jars the brain, and the man who is struck feels as though the man who struck him had opened the top of his skull and taken his brains in his hand and wrenched them as a brakeman wrenches a brake. If you shut your teeth hard, and rap the tip of your chin sharply with your knuckles, you can get an idea of how effective this is when multiplied by an arm and all the muscles of a shoulder.

The man threw up his arms and went over backwards, groping blindly with his hands.

Van Bibber heard a sharp rapping behind him frequently repeated; he could not turn to see what it was, for one of the remaining men was engaging him in front, and the other was kicking at his knee-cap, and striking at his head from behind. He was no longer cool; he was grandly and viciously excited; and, rushing past his opponent, he caught him over his hip with his left arm across his breast, and so tossed him, using his hip for a lever.

A man in this position can be thrown so that he will either fall as lightly as a baby falls from his pillow to the bed, or with sufficient force to break his ribs. Van Bibber, being excited, threw him the latter way. Seeing this, the second man, who had so far failed to find Van Bibber’s knee-cap, backed rapidly away, with his hands in front of him.

“Here,” he cried, “lem’me alone; I’m not in this.”

“Oh yes, you are,” cried Van Bibber, gasping, but with fierce politeness. “Excuse me, but you are. Put up your hands; I’m going to kill you.”

He had a throbbing feeling in the back of his head, and his breathing was difficult. He could still hear the heavy, irregular rapping behind him, but it had become confused with the throbbing in his head. “Put up your hands,” he panted.

The third man, still backing away, placed his arms in a position of defence, and Van Bibber beat them down savagely, and caught him by the throat and pounded him until his arm was tired, and he had to drop him at his feet.

As he turned dizzily, he heard a sharp answering rap down the street, and saw coming towards him the burly figure of a policeman running heavily and throwing his night-stick in front of him by its leather thong, so that it struck reverberating echoes out of the pavement.

And then he saw to his amazement that Miss Cuyler was still with him, standing by the curb and beating it with his heavy walking-stick as calmly as though she were playing golf, and looking keenly up and down the street for possible aid. Van Bibber gazed at her with breathless admiration.

“Good heavens!” he panted, “didn’t I ask you please to go home?”

The policeman passed them and dived uncertainly down a dark area-way as one departing figure disappeared into the open doorway of a tenement, on his way to the roof, and the legs of another dodged between the line of drays.