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PAGE 3

Dooryards
by [?]

Della did not have a long life; and that was some relief to us who were not altogether satisfied with her outlook here. The place she left need not be always desolate. There was a good maiden sister to keep the house, and Eben and the children would be but briefly sorry. They could recover their poise; he with the health of a simple mind, and they as children will. Yet he was truly stunned by the blow; and I hoped, on the day of the funeral, that he did not see what I did. When we went out to get our horse and wagon, I caught my foot in something which at once gave way. I looked down–at a broken wicket and a withered apple by the stake.

Quite at the other end of the town is a dooryard which, in my own mind, at least, I call the traveling garden. Miss Nancy, its presiding mistress, is the victim of a love of change; and since she may not wander herself, she transplants shrubs and herbs from nook to nook. No sooner does a green thing get safely rooted than Miss Nancy snatches it up and sets it elsewhere. Her yard is a varying pageant of plants in all stages of misfortune. Here is a shrub, with faded leaves, torn from the lap of prosperity in a well-sunned corner to languish under different conditions. There stands a hardy bush, shrinking, one might guess, under all its bravery of new spring green, from the premonition that Miss Nancy may move it tomorrow. Even the ladies’-delights have their months of garish prosperity, wherein they sicken like country maids; for no sooner do they get their little feet settled in a dark, still corner than they are summoned out of it, to sunlight bright and strong. Miss Nancy lives with a bedridden father, who has grown peevish through long patience; can it be that slow, senile decay which has roused in her a fierce impatience against the sluggishness of life, and that she hurries her plants into motion because she herself must halt? Her father does not theorize about it. He says, “Nancy never has no luck with plants.” And that, indeed, is true.

There is another dooryard with its infallible index finger pointing to tell a tale. You can scarcely thread your way through it for vehicles of all sorts, congregated there to undergo slow decomposition at the hands of wind and weather. This farmer is a tradesman by nature, and though, for thrift’s sake, his fields must be tilled, he is yet inwardly constrained to keep on buying and selling, albeit to no purpose. He is everlastingly swapping and bargaining, giving play to a faculty which might, in its legitimate place, have worked out the definite and tangible, but which now goes automatically clicking on under vain conditions. The house, too, is overrun with useless articles, presently to be exchanged for others as unavailing, and in the farmer’s pocket ticks a watch which to-morrow will replace with another more problematic still. But in the yard are the undisputable evidences of his wild unthrift. Old rusty mowing-machines, buggies with torn and flapping canvas, sleighs ready to yawn at every crack, all are here: poor relations in a broken-down family. But children love this yard. They come, hand in hand, with a timid confidence in their right, and ask at the back door for the privilege of playing in it. They take long, entrancing journeys in the mouldy old chaise; they endure Siberian nights of sleighing, and throw out their helpless dolls to the pursuing wolves; or the more mercantile-minded among the boys mount a three-wheeled express wagon, and drive noisily away to traffic upon the road. This, in its dramatic possibilities, is not a yard to be despised.

Not far away are two neighboring houses once held in affectionate communion by a straight path through the clover and a gap in the wall. This was the road to much friendly gossip, and there were few bright days which did not find two matrons met at the wall, their heads together over some amiable yarn; But now one house is closed, its windows boarded up, like eyes shut down forever, and the grass has grown over the little path: a line erased, perhaps never to be renewed. It is easier to wipe out a story from nature than to wipe it from the heart; and these mutilated pages of the outer life perpetually renew in us the pangs of loss and grief.