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Domestic Peace
by
“Remember that I am unmarried,” said the Colonel; “that my sword is my whole fortune; and that such a challenge is setting Tantalus down to a banquet which he will devour.”
“Prrr.”
This defiant roll of consonants was the only reply to the Colonel’s declaration, as Martial looked him from head to foot before turning away.
The fashion of the time required men to wear at a ball white kerseymere breeches and silk stockings. This pretty costume showed to great advantage the perfection of Montcornet’s fine shape. He was five-and-thirty, and attracted attention by his stalwart height, insisted on for the Cuirassiers of the Imperial Guard whose handsome uniform enhanced the dignity of his figure, still youthful in spite of the stoutness occasioned by living on horseback. A black moustache emphasized the frank expression of a thoroughly soldierly countenance, with a broad, high forehead, an aquiline nose, and bright red lips. Montcornet’s manner, stamped with a certain superiority due to the habit of command, might please a woman sensible enough not to aim at making a slave of her husband. The Colonel smiled as he looked at the lawyer, one of his favorite college friends, whose small figure made it necessary for Montcornet to look down a little as he answered his raillery with a friendly glance.
Baron Martial de la Roche-Hugon was a young Provencal patronized by Napoleon; his fate might probably be some splendid embassy. He had won the Emperor by his Italian suppleness and a genius for intrigue, a drawing-room eloquence, and a knowledge of manners, which are so good a substitute for the higher qualities of a sterling man. Through young and eager, his face had already acquired the rigid brilliancy of tinned iron, one of the indispensable characteristics of diplomatists, which allows them to conceal their emotions and disguise their feelings, unless, indeed, this impassibility indicates an absence of all emotion and the death of every feeling. The heart of a diplomate may be regarded as an insoluble problem, for the three most illustrious ambassadors of the time have been distinguished by perdurable hatreds and most romantic attachments.
Martial, however, was one of those men who are capable of reckoning on the future in the midst of their intensest enjoyment; he had already learned to judge the world, and hid his ambition under the fatuity of a lady-killer, cloaking his talent under the commonplace of mediocrity as soon as he observed the rapid advancement of those men who gave the master little umbrage.
The two friends now had to part with a cordial grasp of hands. The introductory tune, warning the ladies to form in squares for a fresh quadrille, cleared the men away from the space they had filled while talking in the middle of the large room. This hurried dialogue had taken place during the usual interval between two dances, in front of the fireplace of the great drawing-room of Gondreville’s mansion. The questions and answers of this very ordinary ballroom gossip had been almost whispered by each of the speakers into his neighbor’s ear. At the same time, the chandeliers and the flambeaux on the chimney-shelf shed such a flood of light on the two friends that their faces, strongly illuminated, failed, in spite of their diplomatic discretion, to conceal the faint expression of their feelings either from the keen-sighted countess or the artless stranger. This espionage of people’s thoughts is perhaps to idle persons one of the pleasures they find in society, while numbers of disappointed numskulls are bored there without daring to own it.
Fully to appreciate the interest of this conversation, it is necessary to relate an incident which would presently serve as an invisible bond, drawing together the actors in this little drama, who were at present scattered through the rooms.
At about eleven o’clock, just as the dancers were returning to their seats, the company had observed the entrance of the handsomest woman in Paris, the queen of fashion, the only person wanting to the brilliant assembly. She made it a rule never to appear till the moment when a party had reached that pitch of excited movement which does not allow the women to preserve much longer the freshness of their faces or of their dress. This brief hour is, as it were, the springtime of a ball. An hour after, when pleasure falls flat and fatigue is encroaching, everything is spoilt. Madame de Vaudremont never committed the blunder of remaining at a party to be seen with drooping flowers, hair out of curl, tumbled frills, and a face like every other that sleep is courting–not always without success. She took good care not to let her beauty be seen drowsy, as her rivals did; she was so clever as to keep up her reputation for smartness by always leaving a ballroom in brilliant order, as she had entered it. Women whispered to each other with a feeling of envy that she planned and wore as many different dresses as the parties she went to in one evening.