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She and I were alone in the drawing-room after dinner. Old Yeardsley was writing letters in the morning-room, while Bill and Clarence were rollicking on the half-size billiard table with the pink silk tapestry effects. All, in fact, was joy, jollity, and song, so to speak, when Elizabeth, who had been sitting wrapped in thought for a bit, bent towards me and said, “Reggie.”

And the moment she said it I knew something was going to happen. You know that pre-what-d’you-call-it you get sometimes? Well, I got it then.

“What-o?” I said nervously.

“Reggie,” she said, “I want to ask a great favour of you.”

“Yes?”

She stooped down and put a log on the fire, and went on, with her back to me:

“Do you remember, Reggie, once saying you would do anything in the world for me?”

There! That’s what I meant when I said that about the cheek of Woman as a sex. What I mean is, after what had happened, you’d have thought she would have preferred to let the dead past bury its dead, and all that sort of thing, what?

Mind you, I had said I would do anything in the world for her. I admit that. But it was a distinctly pre-Clarence remark. He hadn’t appeared on the scene then, and it stands to reason that a fellow who may have been a perfect knight-errant to a girl when he was engaged to her, doesn’t feel nearly so keen on spreading himself in that direction when she has given him the miss-in-baulk, and gone and married a man who reason and instinct both tell him is a decided blighter.

I couldn’t think of anything to say but “Oh, yes.”

“There’s something you can do for me now, which will make me everlastingly grateful.”

“Yes,” I said.

“Do you know, Reggie,” she said suddenly, “that only a few months ago Clarence was very fond of cats?”

“Eh! Well, he still seems–er–interested in them, what?”

“Now they get on his nerves. Everything gets on his nerves.”

“Some fellows swear by that stuff you see advertised all over the—-“

“No, that wouldn’t help him. He doesn’t need to take anything. He wants to get rid of something.”

“I don’t quite fellow. Get rid of something?”

“The ‘Venus,'” said Elizabeth.

She looked up and caught my bulging eye.

“You saw the ‘Venus,'” she said.

“Not that I remember.”

“Well, come into the dining-room.”

We went into the dining-room, and she switched on the lights.

“There,” she said.

On the wall close to the door–that may have been why I hadn’t noticed it before; I had sat with my back to it–was a large oil-painting. It was what you’d call a classical picture, I suppose. What I mean is–well, you know what I mean. All I can say is that it’s funny I hadn’t noticed it.

“Is that the ‘Venus’?” I said.

She nodded.

“How would you like to have to look at that every time you sat down to a meal?”

“Well, I don’t know. I don’t think it would affect me much. I’d worry through all right.”

She jerked her head impatiently.

“But you’re not an artist,” she said. “Clarence is.”

And then I began to see daylight. What exactly was the trouble I didn’t understand, but it was evidently something to do with the good old Artistic Temperament, and I could believe anything about that. It explains everything. It’s like the Unwritten Law, don’t you know, which you plead in America if you’ve done anything they want to send you to chokey for and you don’t want to go. What I mean is, if you’re absolutely off your rocker, but don’t find it convenient to be scooped into the luny-bin, you simply explain that, when you said you were a teapot, it was just your Artistic Temperament, and they apologize and go away. So I stood by to hear just how the A.T. had affected Clarence, the Cat’s Friend, ready for anything.

And, believe me, it had hit Clarence badly.

It was this way. It seemed that old Yeardsley was an amateur artist and that this “Venus” was his masterpiece. He said so, and he ought to have known. Well, when Clarence married, he had given it to him, as a wedding present, and had hung it where it stood with his own hands. All right so far, what? But mark the sequel. Temperamental Clarence, being a professional artist and consequently some streets ahead of the dad at the game, saw flaws in the “Venus.” He couldn’t stand it at any price. He didn’t like the drawing. He didn’t like the expression of the face. He didn’t like the colouring. In fact, it made him feel quite ill to look at it. Yet, being devoted to his father and wanting to do anything rather than give him pain, he had not been able to bring himself to store the thing in the cellar, and the strain of confronting the picture three times a day had begun to tell on him to such an extent that Elizabeth felt something had to be done.