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A considerable amount of speculation was had concerning the object of his sojourn there, until one day he silenced this by opening a small shop for the sale of tobacco, ~dulces~ and the handiwork of the interior Indians–fibre-and-silk-woven goods, deerskin ~zapatos~ and basketwork of tule reeds. Even then he did not change his habits; for he was drinking and playing cards half the day and night with the ~comandante~, the collector of customs, the ~jefe politico~ and other gay dogs among the native officials.

One day Dicky saw Pasa, the daughter of Madama Ortiz, sitting in the side-door of the Hotel de los Extranjeros. He stopped in his tracks, still, for the first time in Coralio; and then he sped, swift as a deer, to find Vasquez, a gilded native youth, to present him.

The young men had named Pasa ~La Santita Naranjadita~.” ~Naranjadita~ is a Spanish word for a certain color that you must go to more trouble to describe in English. By saying “The little saint, tinted the most beautiful-delicate-slightly-orange-golden,” you will approximate the description of Madama Ortiz’s daughter.

La Madama Ortiz sold rum in addition to other liquors. Now, you must know that the rum expiates whatever opprobrium attends upon the other commodities. For rum-making, mind you, is a government monopoly; and to keep a government dispensary assures respectability if not preeminence. Moreover, the saddest of precisians could find no fault with the conduct of the shop. Customers drank there in the lowest of spirits and fearsomely, as in the shadow of the dead for Madama’s ancient and vaunted lineage counteracted even the rum’s behest to be merry. For, was she not of the ~Iglesias~, who landed with Pizarro? And had not her deceased husband been ~comisionado de caminos y puentes~ for the district?

In the evenings Pasa sat by the window in the room next to the one where they drank, and strummed dreamily upon her guitar. And then, by twos and threes, would come visiting young caballeros and occupy the prim line of chairs set against the wall of this room. They were there to besiege the heart of ~La Santita~.” Their method (which is not proof against intelligent competition) consisted of expanding the chest, looking valorous, and consuming a gross or two of cigarettes. Even saints delicately oranged prefer to be wooed differently.

Dona Pasa would tide over the vast chasms of nicotinized silence with music from her guitar, while she wondered if the romances she had read about gallant and more–more contiguous cavaliers were all lies. At somewhat regular intervals Madama would glide in from the dispensary with a sort of drought-suggesting gleam in her eye, and there would be a rustling of stiffly starched white trousers as one of the caballeros would propose an adjournment to the bar.

That Dicky Maloney would, sooner or later, explore this field was a thing to be foreseen. There were few doors in Coralio into which his red head had not been poked.

In an incredibly short space of time after his first sight of her he was there, seated close beside her rocking chair. There was no back-against-the-wall poses in Dicky’s theory of wooing. His plan of subjection was an attack at close range. To carry the fortress with one concentrated, ardent, eloquent, irresistible ~escalade~– that was Dicky’s way.

Pasa was descended from the proudest Spanish families in the country. Moreover, she had had unusual advantages. Two years in a New Orleans school had elevated her ambitions and fitted her for a fate above the ordinary maidens of her native land. And yet here she succumbed to the first red-haired scamp with a glib tongue and a charming smile that came along and courted her properly.

Very soon Dicky took her to the little church on the corner of the plaza, and “Mrs. Maloney” was added to her string of distinguished names.