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“I understand; I ‘ll try,” she whispered.

“Now,” he said, and as they separated, he threw his hat on the ground, and, assuming an extravagantly languishing attitude, burst forth in a most poignant burlesque of a lovelorn tenor’s part, rolling his eyes, clasping his hands, striking his breast, and gyrating about Miss Dwyer-in the most approved operatic style. He had a fine voice and knew a good deal of music; so that, barring a certain nervousness in the performer, the exhibition was really not bad. In his singing he had used a meaningless gibberish varied with the syllables of the scale, but he closed by singing the words, “Are you ready now? Go ahead, then.”

With that she took it up, and rendered the prima donna quite as effectively, interjecting “The Last Rose of Summer” as an aria in a manner that would have been encored in San Francisco. He responded with a few staccato notes, and the scene ended by their rushing into each other’s arms and waltzing down the stage with abandon.

The Indians sat motionless on their horses, not even exchanging comments among themselves. They were evidently too utterly astonished by the goings on before them to have any other sentiment as yet beyond pure amazement. Here were two richly-dressed pale-faces, such as only lived in cities, out in the middle of an uninhabitable desert, in the freezing midnight, having a variety and minstrel show all to themselves, and, to make the exhibition the more unaccountable, without apparently seeing their auditors at all. Had they started up the show after being captured, Indian cunning would have recognized in it a device to save their lives, but the two had been at it before the party rode up,– had, in fact, first attracted attention by their gyrations, which were visible for miles out on the moony plain.

Lombard, without ever letting his eyes rest a moment on the Indians so as to indicate that he saw them, had still managed by looks askance and sweeping glances to keep close watch upon their demeanor, and noted with prodigious relief that his wild scheme was succeeding better than he had dared to hope. Without any break in the entertainment he communicated his reassurance to Miss Dwyer by singing, to the tune of “My Country, ’tis of Thee,” the following original hymn:–

“We ‘re doing admir’blee–
They ‘re heap much tickledee:
Only keep on.”

To which she responded, to the lugubrious air of “John Brown’s Body:”–

“Oh, what do you s’pose they ‘ll go for to do,
Oh, what do you s’pose they ‘ll go for to do,
Oh, what do you s’pose they ‘ll go for to do,
When we can sing no more?”

A thing may be ridiculous without being amusing, and neither of these two felt the least inclination to smile at each other’s poetry. After duly joining in the chorus of “Glory, Hallelujah!” Lombard endeavored to cheer his companion by words adapted to the inspiriting air of “Rally Bound the Flag, Boys.” This was followed by a series of popular airs, with solos, duets, and choruses.

But this sort of thing could not go on forever. Lombard was becoming exhausted in voice and legs, and as for Miss Dwyer, he was expecting to see her drop from moment to moment: Indeed, to the air of “‘Way down upon the Swanee River” she now began to sing:–

“Oh, dear! I can’t bear up much longer:
I ‘m tired to death;
My voice’s gone all to pie-ee-ee-ces,
My throat is very sore.”

They must inevitably give out in a few minutes, and then he–and, terribly worse, she–would be at the mercy of these bestial savages, and this seeming farce would turn into most revolting tragedy. With this sickening conviction coming over him, Lombard cast a despairing look around the horizon to see if there were no help in their bitter extremity. Suddenly he burst forth, to the tune of “The Star-Spangled Banner: “–