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Crapy Cornelia
by
He had, if he came to think of it, scarce definitely warned her, and he probably wouldn’t have taken to her so consciously in the first instance without an appreciative sense that, as she was a little person of twenty superficial graces, so she was also a little person with her secret pride. She might just have planted her mangy lion–not to say her muzzled house-dog–there in his path as a symbol that she wasn’t cheap and easy; which would be a thing he couldn’t possibly wish his future wife to have shown herself in advance, even if to him alone. That she could make him put himself such questions was precisely part of the attaching play of her iridescent surface, the shimmering interfusion of her various aspects; that of her youth with her independence–her pecuniary perhaps in particular, that of her vivacity with her beauty, that of her facility above all with her odd novelty; the high modernity, as people appeared to have come to call it, that made her so much more “knowing” in some directions than even he, man of the world as he certainly was, could pretend to be, though all on a basis of the most unconscious and instinctive and luxurious assumption. She was “up” to everything, aware of everything–if one counted from a short enough time back (from week before last, say, and as if quantities of history had burst upon the world within the fortnight); she was likewise surprised at nothing, and in that direction one might reckon as far ahead as the rest of her lifetime, or at any rate as the rest of his, which was all that would concern him: it was as if the suitability of the future to her personal and rather pampered tastes was what she most took for granted, so that he could see her, for all her Dresden-china shoes and her flutter of wondrous befrilled contemporary skirts, skip by the side of the coming age as over the floor of a ball-room, keeping step with its monstrous stride and prepared for every figure of the dance. Her outlook took form to him suddenly as a great square sunny window that hung in assured fashion over the immensity of life. There rose toward it as from a vast swarming plaza a high tide of emotion and sound; yet it was at the same time as if even while he looked her light gemmed hand, flashing on him in addition to those other things the perfect polish of the prettiest pink finger-nails in the world, had touched a spring, the most ingenious of ecent devices for instant ease, which dropped half across the scene a soft-coloured mechanical blind, a fluttered, fringed awning of charmingly toned silk, such as would make a bath of cool shade for the favoured friend leaning with her there–that is for the happy couple itself–on the balcony. The great view would be the prospect and privilege of the very state he coveted–since didn’t he covet it?–the state of being so securely at her side; while the wash of privacy, as one might count it, the broad fine brush dipped into clear umber and passed, full and wet, straight across the strong scheme of colour, would represent the security itself, all the uplifted inner elegance, the condition, so ideal, of being shut out from nothing and yet of having, so gaily and breezily aloft, none of the burden or worry of anything. Thus, as I say, for our friend, the place itself, while his vivid impression lasted, portentously opened and spread, and what was before him took, to his vision, though indeed at so other a crisis, the form of the “glimmering square” of the poet; yet, for a still more remarkable fact, with an incongruous object usurping at a given instant the privilege of the frame and seeming, even as he looked, to block the view.