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Cobb’s Anatomy
by
Mind you, I have no prejudice against horseback riding as such. Horseback riding is all right for mounted policemen and Colonel W. F. Cody and members of the Stickney family and the party who used to play Mazeppa in the sterling drama of that name. That is how those persons make their living. They are suited for it and acclimated to it. It is also all right for equestrian statues of generals in the Civil War. But it is not a fit employment for a fat man and especially for a fat man who insists on trying to ride a hard-trotting horse English style, which really isn’t riding at all when you come right down to cases, but an outdoor cure for neurasthenia invented, I take it, by a British subject who was nervous himself and hated to stay long in one place. So, as I was saying, I sit there on my comfortable park bench and watch those friends of mine bouncing by, each wearing on his face that set expression which is seen also on the faces of some men while waltzing, and on the faces of most women when entertaining their relatives by marriage. I have one friend who is addicted to this form of punishment in a violent, not to say a malignant form. He uses for his purpose a tall and self-willed horse of the Tudor period–a horse with those high dormer effects and a sloping mansard. This horse must have been raised, I think, in the knockabout song-and-dance business. Every time he hears music or thinks he hears it he stops and vamps with his feet. When he does this my friend bends forward and clutches him round the neck tightly. I think he is trying to whisper in the horse’s ear and beg him in Heaven’s name to forbear; but what he looks like is Santa Claus with a clean shave, sitting on the combing of a very steep house with his feet hanging over the eaves, peeking down the chimney to see if the children are asleep yet. When that horse dies he will still have finger marks on his throat and the authorities will suspect foul play probably.
Once I tried it myself. I was induced to scale the heights of a horse that was built somewhat along the general idea of the Andes Mountains, only more rugged and steeper nearing the crest. From the ground he looked to be not more than sixteen hands high, but as soon as I was up on top of him I immediately discerned that it was not sixteen hands–it was sixteen miles. What I had taken for the horse’s blaze face was a snow-capped peak. Miss Anna Peck might have felt at home up there, because she has had the experience and is used to that sort of thing, but I am no mountain climber myself.
Before I could make any move to descend to the lower and less rarefied altitudes the horse began executing a few fancy steps, and he started traveling sidewise with a kind of a slanting bias movement that was extremely disconcerting, not to say alarming, instead of proceeding straight ahead as a regular horse would. I clung there astraddle of his ridge pole, with my fingers twined in his mane, trying to anticipate where he would be next, in order to be there to meet him if possible; and I resolved right then that, if Providence in His wisdom so willed it that I should get down from up there alive, I would never do so again. However, I did not express these longings in words–not at that time. At that time there were only two words in the English language which seemed to come to me. One of them was “Whoa” and the other was “Ouch,” and I spoke them alternately with such rapidity that they merged into the compound word “Whouch,” which is a very expressive word and one that I would freely recommend to others who may be situated as I was.