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PAGE 11

Cobb’s Anatomy
by [?]

I know why a barber in a country town is always learning to play on the guitar and I know why a man with an emotional Adam’s apple always wears an open front collar. I know these things, but am debarred from telling them by reason of a solemn oath. But I have not yet been able to discover why every dentist keeps a canary in his office. Nor do I know why it is, just as you settle your neck back on a head rest that’s every bit as comfortable as an anvil, and just as a dentist climbs into you as far as the arm pits and begins probing at the bottom of a tooth which has roots extending back behind your ears, like an old-fashioned pair of spectacles, that the canary bird should wipe his nose on a cuttle bone and dash into a melodious outburst of two hundred thousand twitters, all of them being twitters of the same size, shape, and color. For that matter, I don’t even know what kind of an animal a cuttle is, although I should say from the shape of his bone as used by the canary instead of a pocket handkerchief, that he is circular and flat and stands on edge only with the utmost difficulty. If you will pardon my temporary digressions into the realm of natural history, we will now return to the main subject, which was your tooth.

The moment the muscular young man starts up his motor and gives the canary its music cue and begins pawing over his tool collection to pick out a good sharp one, you recover. All of a sudden you feel fine, and so does the tooth. Neither one of you ever felt better. The fox terrier must have killed the woodchuck and then committed suicide. You are about to mention this double tragedy and beg the young man’s pardon for causing him any trouble and excuse yourself and go away, but just then he quits feeling of his biceps and suddenly seizes you by your features and undoes them. If you are where you can catch a glimpse of yourself in a mirror you will immediately note how much the human face divine can be made to look like an old-fashioned red brick Colonial fire place.

There are likely to be several things you would like to talk about. You are full of thoughts seeking utterance. For one thing you want to tell him you don’t think the brand of soap he uses on his hands is going to agree with you at all. You probably don’t care personally for the way your barber’s thumb tastes either, but a barber’s thumb is Peaches Melba alongside of a dentist’s. Before you can say anything though he discovers a cavity or orifice of some sort in the base of your tooth. It seems to give him pleasure. Filled with intense gratification by this discovery and fired moreover by the impetuous ardor of the chase, he grabs up a crochet needle with a red hot stinger on the end of it and jabs it down your tooth to a point about opposite where your suspenders fork in the back.

You have words with him then, or at least you start to have words with him, but he puts his knee in your chest and tells you that it really doesn’t hurt at all, but is only your imagination, and utters other soothing remarks of that general nature. He then exchanges the crochet needle for a kind of an instrument with a burr on the end of it. This instrument first came into use at the time of the Spanish Inquisition but has since been greatly improved on and brought right up to date. He takes this handy little utensil and proceeds to stir up your imagination some more. You again try to say something, speaking in a muffled tone, but he is not listening. He is calling to a brother assassin in the adjoining room to come and see a magnificent example of a prime old-vatted triple X exposed nerve. So the Second Grave Digger rests his tools against the palate of his victim and comes in.