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Clive And Ethel Newcome
by
“He turned his beast and was for galloping up the hill again, I suppose to inform his relations; but the donkey refused with many kicks, one of which sent Alfred plunging amongst the stones, and we were rubbing him down just as the rest of the party came upon us. Miss Quigley looked very grim on an old white pony; my aunt was on a black horse that might have turned grey, he is so old. Then came two donkeys-full of children, with Kuhn as supercargo; then Ethel on donkey back, too, with a bunch of wild flowers in her hand, a great straw hat with a crimson ribbon, a white muslin jacket, you know, bound at the waist with a ribbon of the first, and a dark skirt, with a shawl round her feet, which Kuhn had arranged. As she stopped, the donkey fell to cropping greens in the hedge; the trees there chequered her white dress and face with shadow. Her eyes, hair, and forehead were in shadow, too, but the light was all upon her right cheek. Upon her shoulder down to her arm, which was of a warmer white, and on the bunch of flowers which she held, blue, yellow, and red poppies, and so forth.
“J. J. says, ‘I think the birds began to sing louder when she came.’ We have both agreed that she is the handsomest woman in England. It’s not her form merely, which is certainly as yet too thin and a little angular; it is her colour. I do not care for women or pictures without colour. Oh, ye carnations! Oh, such black hair and solemn eyebrows. It seems to me the roses and carnations have bloomed again since we saw them last in London, when they were drooping from the exposure to night air, candle light, and heated ballrooms.
“Here I was in the midst of a regiment of donkeys bearing a crowd of relations; J. J. standing modestly in the background, beggars completing the group. Throw in the Rhine in the distance flashing by the Seven Mountains–but mind and make Ethel the principal figure: if you make her like she certainly will be, and other lights will be only minor fires. You may paint her form, but can’t paint her colour.”
Thus wrote Clive from Bonn, and now that the old Countess and Barnes were away, the barrier between Clive and this family was withdrawn. The young folks who loved him were free to see him as often as he would come. They were going to Baden: would he come, too? He was glad enough to go with them, and to travel in the orbit of such a lovely girl as Ethel Newcome, whose beauty made all the passengers on all the steamers look round and admire. The journey was all sunshine and pleasure and novelty; and I like to think of the pretty girl and the gallant young fellow enjoying this holiday. Few sights are more pleasant than to watch a happy, manly English youth, freehanded and generous-hearted, content and good-humour shining in his honest face, pleased and pleasing, eager, active, and thankful for services, and exercising bravely his noble youthful privilege to be happy and to enjoy. As for J. J., he, too, had his share of enjoyment. Clive was still his hero as ever, his patron, his splendid young prince and chieftain. Who was so brave, who was so handsome, generous, witty as Clive? To hear Clive sing, as the lad would whilst they were seated at their work, or driving along on this happy journey, through fair landscapes in the sunshine, gave J. J. the keenest pleasure; his wit was a little slow, but he would laugh with his eyes at Clive’s sallies, or ponder over them and explode with laughter presently, giving a new source of amusement to these merry travellers, and little Alfred would laugh at J.J.’s laughing; and so, with a hundred harmless jokes to enliven, and the ever-changing, ever-charming smiles of Nature to cheer and accompany it, the happy day’s journey would come to an end.