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In a moment the floor was filled with dancers, whooping and cracking their fingers in the wildest manner. Then Baptiste did the “Red River Jig,” a most intricate and difficult series of steps, the men keeping time to the music with hands and feet.

When the jig was finished Sandy called for “Lochaber No More,” but Campbell said:

“No! no! I cannot play that to-night. Mr. Craig will play.”

Craig took the violin, and at the first note I knew he was no ordinary player. I did not recognize the music, but it was soft and thrilling, and got in by the heart till every one was thinking his tenderest and saddest thoughts.

After he had played two or three exquisite bits he gave Campbell his violin, saying, “Now, ‘Lochaber,’ Lachlan.”

Without a word Lachlan began, not “Lochaber”–he was not ready for that yet–but “The Flowers o’ the Forest,” and from that wandered through “Auld Robin Gray” and “The Land o’ the Leal,” and so got at last to that most soul-subduing of Scottish laments, “Lochaber No More.” At the first strain his brother, who had thrown himself on some blankets behind the fire, turned over on his face feigning sleep. Sandy McNaughton took his pipe out of his mouth and sat up straight and stiff, staring into vacancy, and Graeme, beyond the fire, drew a short, sharp breath. We had often sat, Graeme and I, in our student days, in the drawing-room at home, listening to his father wailing out “Lochaber” upon the pipes, and I well knew that the awful minor strains were now eating their way into his soul.

Over and over again the Highlander played his lament. He had long since forgotten us, and was seeing visions of the hills and lochs and glens of his far-away native land, and making us, too, see strange things out of the dim past. I glanced at old man Nelson, and was startled at the eager, almost piteous look in his eyes, and I wished Campbell would stop. Mr. Craig caught my eye, and stepping over to Campbell held out his hand for the violin. Lingeringly and lovingly the Highlander drew out the last strain and silently gave the minister his instrument.

Without a moment’s pause, and while the spell of “Lochaber” was still upon us, the minister, with exquisite skill, fell into the refrain of that simple and beautiful camp-meeting hymn, “The Sweet By-and-By.” After playing the verse through once he sang softly the refrain. After the first verse the men joined in the chorus; at first timidly, but by the time the third verse was reached they were shouting with throats full open, “We shall meet on that beautiful shore.” When I looked at Nelson the eager light had gone out of his eyes, and in its place was a kind of determined hopelessness, as if in this new music he had no part.

After the voices had ceased Mr. Craig played again the refrain, more and more softly and slowly; then laying the violin on Campbell’s knees, he drew from his pocket his little Bible and said:

“Men, with Mr. Graeme’s permission I want to read you something this Christmas eve. You will all have heard it before, but you will like it none the less for that.”

His voice was soft, but clear and penetrating, as he read the eternal story of the angels and the shepherds and the Babe. And as he read, a slight motion of the hand or a glance of an eye made us see, as he was seeing, that whole radiant drama. The wonder, the timid joy, the tenderness, the mystery of it all, were borne in upon us with overpowering effect. He closed the book, and in the same low, clear voice went on to tell us how, in his home years ago, he used to stand on Christmas eve listening in thrilling delight to his mother telling him the story, and how she used to make him see the shepherds and hear the sheep bleating near by, and how the sudden burst of glory used to make his heart jump.