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“If we ever get there at all,” the soldier remarked to the peasant, “it will be because the Almighty is bent on keeping us alive.”

“Ah! He is the Master,” said the old woman, “but I think it will be His good pleasure to take us to Himself. Just look at that light down there . . .” and she nodded her head as she spoke towards the sunset.

Streaks of fiery red glared from behind the masses of crimson-flushed brown cloud that seemed about to unloose a furious gale. There was a smothered murmur of the sea, a moaning sound that seemed to come from the depths, a low warning growl, such as a dog gives when he only means mischief as yet. After all, Ostend was not far away. Perhaps painting, like poetry, could not prolong the existence of the picture presented by sea and sky at that moment beyond the time of its actual duration. Art demands vehement contrasts, wherefore artists usually seek out Nature’s most striking effects, doubtless because they despair of rendering the great and glorious charm of her daily moods; yet the human soul is often stirred as deeply by her calm as by her emotion, and by silence as by storm.

For a moment no one spoke on board the boat. Every one watched that sea and sky, either with some presentiment of danger, or because they felt the influence of the religious melancholy that takes possession of nearly all of us at the close of the day, the hour of prayer, when all nature is hushed save for the voices of the bells. The sea gleamed pale and wan, but its hues changed, and the surface took all the colors of steel. The sky was almost overspread with livid gray, but down in the west there were long narrow bars like streaks of blood; while lines of bright light in the eastern sky, sharp and clean as if drawn by the tip of a brush, were separated by folds of cloud, like the wrinkles on an old man’s brow. The whole scene made a background of ashen grays and half-tints, in strong contrast to the bale-fires of the sunset. If written language might borrow of spoken language some of the bold figures of speech invented by the people, it might be said with the soldier that “the weather has been routed,” or, as the peasant would say, “the sky glowered like an executioner.” Suddenly a wind arose from the quarter of the sunset, and the skipper, who never took his eyes off the sea, saw the swell on the horizon line, and cried:

“Stop rowing!”

The sailors stopped immediately, and let their oars lie on the water.

“The skipper is right,” said Thomas coolly. A great wave caught up the boat, carried it high on its crest, only to plunge it, as it were, into the trough of the sea that seemed to yawn for them. At this mighty upheaval, this sudden outbreak of the wrath of the sea, the company in the stern turned pale, and sent up a terrible cry.

“We are lost!”

“Oh, not yet!” said the skipper calmly.

As he spoke, the clouds immediately above their heads were torn asunder by the vehemence of the wind. The gray mass was rent and scattered east and west with ominous speed, a dim uncertain light from the rift in the sky fell full upon the boat, and the travelers beheld each other’s faces. All of them, the noble and the wealthy, the sailors and the poor passengers alike, were amazed for a moment by the appearance of the last comer. His golden hair, parted upon his calm, serene forehead, fell in thick curls about his shoulders; and his face, sublime in its sweetness and radiant with divine love, stood out against the surrounding gloom. He had no contempt for death; he knew that he should not die. But if at the first the company in the stern forgot for a moment the implacable fury of the storm that threatened their lives, selfishness and their habits of life soon prevailed again.