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PAGE 6

Child Life In Town And Country
by [?]

After rubbing them down in fancy, Roger gives his horses an imaginary feed of oats. That is the proper way to feed these elfin creatures of wood on whose backs little boys gallop through the land of dreams.

Now Roger is off for his ride, mounted on his mettled charger. The poor beast has no ears left and his mane is all notched like an old broken comb; but Roger loves him. Why it would be hard to say! This bay was the gift of a poor man; and the presents of the poor are somehow sweeter perhaps than any others.

Roger is off. He has ridden far. The flowers of the carpet are the blossoms of the tropical forest. Good luck to you, little Roger! May your hobby-horse carry you happily through the world! May you never have a more dangerous mount! Small and great, we all ride ours! Which of us has not his hobby?

Men’s hobbies gallop like mad things along the roads of life; one is chasing glory, another pleasure; many leap over precipices and break their rider’s neck. I wish you luck, little Roger, and I hope, when you are a man, you will bestride two hobbies that will always carry you along the right road; one is spirited, the other gentle-tempered; they are both noble steeds; one is called Courage and the other Kindness.

COURAGE

LOUISON and Frederic are off to school along the village street. The sun shines gaily and the two children are singing. They sing like the nightingale, because their hearts are light like his. They sing an old song their grandmothers sang when they were little girls, a song their children’s children will sing one day; for songs are tender flowers that never die, they fly from lip to lip down the ages. The lips fade and fall silent one after the other, but the song lives on for ever. There are songs come down to us from the days when the men were shepherds and all the women shepherdesses. That is the reason why they speak of nothing but sheep and wolves.

Louison and Frederic sing; their mouths are as round as a flower and the song rises shrill and thin and clear in the morning air.

But listen! suddenly the notes stick in Frederic’s throat.

What unseen power is it has strangled the music on the boy’s lips? It is fear. Every day, as sure as fate, he comes upon the butcher’s dog at the end of the village street, and every day his heart seems to stop and his legs begin to shake at the sight. Yet the butcher’s dog does not fly at him, or even threaten to. He sits peaceably at his master’s shop-door. But he is black, and he has a staring bloodshot eye and shows a row of sharp white teeth. He looks frightful. And then he squats there in the middle of bits of meat and offal and all sorts of horrors–which makes him more terrifying still. Of course it is n’t his fault, but he is the presiding genius. Yes, a savage brute, the butcher’s dog! So, the instant Frederic catches sight of the beast before the shop, he picks up a big stone, as he sees grown-up men do to keep off bad-tempered curs, and he slinks past close, close under the opposite wall.

That is how he behaved this time; and Louison laughed at him.

She did not make any of those daredevil speeches one generally caps with others more reckless still. No, she never said a word; she never stopped singing. But she altered her voice and began singing on such a mocking note that Frederic reddened to his very ears. Then his little head began to buzz with many thoughts. He learned that we must dread shame even more than danger. And he was afraid of being afraid.

So, when school was over and he saw the butcher’s dog, he marched undauntedly past the astonished animal.