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“Oh, you poor man!” Amber wrote Walter. “Why don’t you say you were thinking of America–yellow journalism, and all that? The yellow is, of course, Satan’s sulphur. You would hardly believe what his secretaries have written even of poor little me! And you should see the pictures of ‘The Milwaukee Millionairess’ in the Sunday numbers!”

Walter Bassett did not reply regularly and punctually to Amber’s letters, and it was a novel sensation to the jaded beauty who had often thrown aside masculine missives after a glance at the envelope, to find herself eagerly shuffling her morning correspondence in the hope of turning up a trump-card. A card, indeed, it often proved, though never a postcard, and Amber meekly repaid it fourfold. She found it delicious to pour herself out to him; it had the pleasure of abandonment without its humiliation. Verbally, this was the least flirtatious correspondence she had ever maintained with the opposite sex.

So when at last, towards the end of the holiday season, the pair met in the flesh at a country house (Lady Chelmer still protests it was a coincidence), Walter Bassett had no apprehension of danger, and his expression of pleasure at the coincidence was unfeigned, for he felt his correspondence would be lightened. In nothing did he feel the want of pence more keenly than in his inability to keep a secretary for his public work. “Money is time,” he used to complain; “the millionaire is your only Methuselah.”

The house had an old-world garden, and it was here they had their first duologue. Amber had quickly discovered that Walter was interested in the apiaries that lay at the foot of its slope, and so he found her standing in poetic grace among the tall sweet-peas, with their whites and pinks and faint purples, a basket of roses in one hand and a pair of scissors in the other.

As he came to her under the quaint trellised arch, “I always feel like a croquet ball going through the hoop,” he said.

“But the ball is always driven,” she said.

“Oh, I dare say it has the illusion of freewill. Doubtless the pieces in that chess game, which Eastern monarchs are said to play with human figures, come to think they move of themselves. The knight chuckles as he makes his tortuous jump at the queen, and the bishop swoops down on the castle with holy joy.”

She came imperceptibly closer to him. “Then you don’t think any of us move of ourselves?”

“One or two of us in each generation. They make the puppets dance.”

“You admire Bismarck, I see.”

“Yes. A pity he didn’t emigrate to your country, like so many Germans.”

“Do you think we need him? But he couldn’t have been President. You must be born in America.”

“True. Then I shall remain on here.”

“You’re terrible ambitious, Mr. Bassett.”

“Yes, terrible,” he repeated mockingly.

“Then come and help me pick blackberries,” she said, and caught him by his own love of the unexpected. They left the formal garden, and came out into the rabbit-warren, and toiled up and down hillocks in search of ripe bushes, paying, as Walter said, “many pricks to the pint.” And when Amber urged him to scramble to the back of tangled bushes, through coils of bristling briars, “You were right,” he laughed; “this is terrible ambitious.” The best of the blackberries plucked, Amber began a new campaign against mushrooms, and had frequent opportunities to rebuke his clumsiness in crumbling the prizes he uprooted. She knelt at his side to teach him, and once laid her deft fingers instructively upon his.

And just at that moment he irritatingly discovered a dead mole, and fell to philosophising upon it and its soft, velvet, dainty skin–as if a girl’s fingers were not softer and daintier! “Look at its poor little pale-red mouth,” he went on, “gaspingly open, as in surprise at the strange great forces that had made and killed it.”

“I dare say it had a good time,” said Amber, pettishly.