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Calderon The Courtier: A Tale
by
While Calderon thus soliloquised, the arras was lifted aside, and a cavalier, on whose cheek was the first down of manhood, entered the apartment.
“So, Roderigo, alone! welcome back to Madrid. Nay, seat thyself, man–seat thyself.”
Calderon bowed with the deepest reverence; and, placing a large fauteuil before the stranger, seated himself on stool, at a little distance.
The new comer was of sallow complexion; his gorgeous dress sparkled with prodigal jewels. Boy as he was, there was a yet a careless loftiness, a haughty ease, in the gesture–the bend of the neck, the wave of the hand, which, coupled with the almost servile homage of the arrogant favourite, would have convinced the most superficial observer that he was born of the highest rank. A second glance would have betrayed, in the full Austrian lip–the high, but narrow forehead–the dark, voluptuous, but crafty and sinister eye, the features of the descendant of Charles V. It was the Infant of Spain that stood in the chamber of his ambitious minion.
“This is convenient, this private entrance into thy penetralia, Roderigo. It shelters me from the prying eyes of Uzeda, who ever seeks to cozen the sire by spying on the Son. We will pay him off one of these days. He loves you no less than he does his prince.”
“I bear no malice to him for that, your highness. He covets the smiles of the rising sun and rails at the humble object which, he thinks, obstructs the beam.”
“He might be easy on that score: I hate the man, and his cold formalities. He is ever fancying that we princes are intent on the affairs of state, and forgets that we are mortal and that youth is the age for the bower, not the council. My precious Calderon, life would be dull without thee: how I rejoice at thy return, thou best inventor of pleasure that satiety ever prayed for! Nay, blush not: some men despise thee for thy talents: I do thee homage. By my great grandsire’s beard, it will be a merry time at court when I am monarch, and thou minister!”
Calderon looked earnestly at the prince, but his scrutiny did not serve to dispel a certain suspicion of the royal sincerity that ever and anon came across the favourite’s most sanguine dreams. With all Philip’s gaiety, there was something restrained and latent in his ambiguous smile, and his calm, deep, brilliant eye. Calderon, immeasurably above his lord in genius, was scarcely, perhaps, the equal of that beardless boy in hypocrisy and craft, in selfish coldness, in matured depravity.
“Well,” resumed the prince, “I pay you not these compliments without an object. I have need of you–great need; never did I so require your services as at this moment; never was there so great demand on your invention, your courage, your skill. Know, Calderon, I love!”
“My prince,” said the marquis, smiling, “it is certainly not first love. How often has your highness–“
“No,” interrupted the prince, hastily,–“no, I never loved till now. We never can love what we can easily win; but this, Calderon, this heart would be a conquest. Listen. I was at the convent chapel of St. Mary of the White Sword yesterday with the queen. Thou knowest that the abbess once was a lady of the chamber, and the queen loves her.”
“Both of us were moved and astonished by the voice of one of the choir–it was that of a novice. After the ceremony the queen made inquiries touching this new Santa Cecilia; and who dost thou think she is? No; thou wilt never guess!–the once celebrated singer–the beautiful, the inimitable Beatriz Coello! Ah! you may well look surprised; when actresses turn nuns, it is well-nigh time for Calderon and Philip to turn monks. Now, you must know, Roderigo, that I, unworthy though I be, am the cause of this conversion. There is a certain Martin Fonseca, a kinsman of Lerma’s–thou knowest him well. I learned, some time since, from the duke, that this young Orlando was most madly enamoured of a low-born girl–nay, desired to wed her. The duke’s story moved my curiosity. I found that it was the young Beatriz Coello, whom I had already admired on the stage. Ah, Calderon, she blazed and set during thy dull mission to Lisbon! I sought an opportunity to visit her. I was astonished at her beauty, that seemed more dazzling in the chamber than on the stage. I pressed my suit-in vain. Calderon, hear you that?–in vain! Why wert thou not by? Thy arts never fail, my friend! She was living with an old relation, or governante. The old relation died suddenly–I took advantage of her loneliness–I entered her house at night. By St. Jago, her virtue baffled and defeated me. The next morning she was gone; nor could my researches discover her, until, at the convent of St. Mary, I recognised the lost actress in the young novice. She has fled to the convent to be true to Fonseca; she must fly from the convent to bless the prince. This is my tale: I want thy aid.”