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PAGE 17

Calderon The Courtier: A Tale
by [?]

“Why is not Don Martin by thy side? Pardon me, senora: I have a billet for thee from Fonseca; in a few minutes thou wilt know all.”

At this time the vehicle came suddenly in the midst of a train of footmen and equipages that choked up the way. There was a brilliant entertainment at the French embassy; and thither flocked, all the rank and chivalry of Madrid. Calderon drew down the blind and hastily enjoined silence on Beatriz. It was some minutes before the driver extricated himself from the throng; and then, as if to make amends for the delay, he put his horses to their full speed, and carefully selected the most obscure and solitary thoroughfares. At length, the carriage entered the range of suburbs which still at this day the traveller passes on his road from Madrid to France. The horses stopped before a lonely house that stood a little apart from the road, and which from the fashion of its architecture appeared of considerable antiquity. The stranger descended and knocked twice at the door: it was opened by an old man, whose exaggerated features, bended frame, and long beard, proclaimed him of the race of Israel. After a short and whispered parley, the stranger returned to Beatriz, gravely assisted her from the carriage, and, leading her across the threshold, and up a flight of rude stairs, dimly lighted, entered a chamber richly furnished. The walls were hung with stuffs of gorgeous colouring and elaborate design. Pedestals of the whitest marble placed at each corner of the room supported candelabra of silver. The sofas and couches were of the heavy but sumptuous fashion which then prevailed in the palaces of France and Spain; and of which Venice (the true model of the barbaric decorations with which Louis the Fourteenth corrupted the taste of Paris) was probably the original inventor. In an alcove, beneath a silken canopy, was prepared a table, laden with wines, fruits, and viands; and altogether the elegance and luxury that characterised the apartment were in strong and strange contrast with the half-ruined exterior of the abode, the gloomy and rude approach to the chamber, and the mean and servile aspect of the Jew, who stood, or rather cowered by the door, as if waiting for further orders. With a wave of the hand the stranger dismissed the Israelite; and then, approaching Beatriz, presented to her Fonseca’s letter.

As with an enchanting mixture of modesty and eagerness Beatriz, half averting her face, bent over the well-known characters, Calderon gazed upon her with a scrutinising and curious eye.

The courtier was not, in this instance, altogether the villain that from outward appearances the reader may have deemed him. His plan was this: he had resolved on compliance with the wishes of the prince–his safety rested on that compliance. But Fonseca was not to be sacrificed without reserve. Profoundly despising womankind, and firmly persuaded of their constitutional treachery and deceit, Calderon could not believe the actress that angel of light and purity which she seemed to the enamoured Fonseca. He had resolved to subject her to the ordeal of the prince’s addresses. If she fell, should he not save his friend from being the dupe of an artful intriguante?–should he not deserve the thanks of Don Martin for the very temptation to which Beatriz was now to be submitted? If he could convince Fonseca of her falsehood, he should stand acquitted to his friend, while he should have secured his interest with the prince. But if, on the other hand, Beatriz came spotless through the trial; if the prince, stung by her obstinate virtue, should menace to sink courtship into violence, Calderon knew that it would not be in the first or second interview that the novice would have any real danger to apprehend; and he should have leisure to concert her escape by such means as would completely conceal from the prince his own connivance at her flight. Such was the compromise that Calderon had effected between his conscience and his ambition. But while he gazed upon the novice, though her features were turned from him, and half veiled by the headdress she had assumed, strange feelings, ominous and startling, like those remembrances of the Past which sometimes come in the guise of prophecies of the Future, thronged, indistinct and dim, upon his breast. The unconscious and exquisite grace of her form, its touching youth, an air of innocence diffused around it, a something helpless, and pleading to man’s protection, in the very slightness of her beautiful but fairy-like proportions, seemed to reproach his treachery, and to awaken whatever of pity or human softness remained in his heart.