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Reedy Creek came down along a western spur of the range: the banks here were deep and green, and the water ran clear over the granite bars, boulders, and gravel. Behind us was a dreary flat covered with those gnarled, grey-barked, dry-rotted ‘native apple-trees’ (about as much like apple-trees as the native bear is like any other), and a nasty bit of sand-dusty road that I was always glad to get over in wet weather. To the left on our side of the creek were reedy marshes, with frogs croaking, and across the creek the dark box-scrub-covered ridges ended in steep ‘sidings’ coming down to the creek-bank, and to the main road that skirted them, running on west up over a ‘saddle’ in the ridges and on towards Dubbo. The road by Lahey’s Creek to a place called Cobborah branched off, through dreary apple-tree and stringy-bark flats, to the left, just beyond the crossing: all these fanlike branch tracks from the Cudgeegong were inside a big horse-shoe in the Great Western Line, and so they gave small carriers a chance, now that Cob & Co.’s coaches and the big teams and vans had shifted out of the main western terminus. There were tall she-oaks all along the creek, and a clump of big ones over a deep water-hole just above the crossing. The creek oaks have rough barked trunks, like English elms, but are much taller, and higher to the branches–and the leaves are reedy; Kendel, the Australian poet, calls them the ‘she-oak harps Aeolian’. Those trees are always sigh-sigh-sighing–more of a sigh than a sough or the ‘whoosh’ of gum-trees in the wind. You always hear them sighing, even when you can’t feel any wind. It’s the same with telegraph wires: put your head against a telegraph-post on a dead, still day, and you’ll hear and feel the far-away roar of the wires. But then the oaks are not connected with the distance, where there might be wind; and they don’t ROAR in a gale, only sigh louder and softer according to the wind, and never seem to go above or below a certain pitch,–like a big harp with all the strings the same. I used to have a theory that those creek oaks got the wind’s voice telephoned to them, so to speak, through the ground.

I happened to look down, and there was Jim (I thought he was on the tarpaulin, playing with the pup): he was standing close beside me with his legs wide apart, his hands behind his back, and his back to the fire.

He held his head a little on one side, and there was such an old, old, wise expression in his big brown eyes–just as if he’d been a child for a hundred years or so, or as though he were listening to those oaks and understanding them in a fatherly sort of way.

‘Dad!’ he said presently–‘Dad! do you think I’ll ever grow up to be a man?’

‘Wh–why, Jim?’ I gasped.

‘Because I don’t want to.’

I couldn’t think of anything against this. It made me uneasy. But I remembered *I* used to have a childish dread of growing up to be a man.

‘Jim,’ I said, to break the silence, ‘do you hear what the she-oaks say?’

‘No, I don’t. Is they talking?’

‘Yes,’ I said, without thinking.

‘What is they saying?’ he asked.

I took the bucket and went down to the creek for some water for tea. I thought Jim would follow with a little tin billy he had, but he didn’t: when I got back to the fire he was again on the ‘possum rug, comforting the pup. I fried some bacon and eggs that I’d brought out with me. Jim sang out from the waggon–

‘Don’t cook too much, dad–I mightn’t be hungry.’

I got the tin plates and pint-pots and things out on a clean new flour-bag, in honour of Jim, and dished up. He was leaning back on the rug looking at the pup in a listless sort of way. I reckoned he was tired out, and pulled the gin-case up close to him for a table and put his plate on it. But he only tried a mouthful or two, and then he said–