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I might here – if it so pleased me – dilate upon the matter of habiliment, and other mere circumstances of the external metaphysician. I might hint that the hair of our hero was worn short, combed smoothly over his forehead, and surmounted by a conical-shaped white flannel cap and tassels – that his pea-green jerkin was not after the fashion of those worn by the common class of restaurateurs at that day- that the sleeves were something fuller than the reigning costume permitted – that the cuffs were turned up, not as usual in that barbarous period, with cloth of the same quality and color as the garment, but faced in a more fanciful manner with the particolored velvet of Genoa – that his slippers were of a bright purple, curiously filigreed, and might have been manufactured in Japan, but for the exquisite pointing of the toes, and the brilliant tints of the binding and embroidery – that his breeches were of the yellow satin-like material called aimable – that his sky-blue cloak, resembling in form a dressing-wrapper, and richly bestudded all over with crimson devices, floated cavalierly upon his shoulders like a mist of the morning – and that his tout ensemble gave rise to the remarkable words of Benevenuta, the Improvisatrice of Florence, “that it was difficult to say whether Pierre Bon-Bon was indeed a bird of Paradise, or rather a very Paradise of perfection.” I might, I say, expatiate upon all these points if I pleased, – but I forbear, merely personal details may be left to historical novelists,- they are beneath the moral dignity of matter-of-fact.

I have said that “to enter the Cafe in the cul-de-sac Le Febvre was to enter the sanctum of a man of genius” – but then it was only the man of genius who could duly estimate the merits of the sanctum. A sign, consisting of a vast folio, swung before the entrance. On one side of the volume was painted a bottle; on the reverse a pate. On the back were visible in large letters Oeuvres de Bon-Bon. Thus was delicately shadowed forth the two-fold occupation of the proprietor.

Upon stepping over the threshold, the whole interior of the building presented itself to view. A long, low-pitched room, of antique construction, was indeed all the accommodation afforded by the Cafe. In a corner of the apartment stood the bed of the metaphysician. An army of curtains, together with a canopy a la Grecque, gave it an air at once classic and comfortable. In the corner diagonary opposite, appeared, in direct family communion, the properties of the kitchen and the bibliotheque. A dish of polemics stood peacefully upon the dresser. Here lay an ovenful of the latest ethics – there a kettle of dudecimo melanges. Volumes of German morality were hand and glove with the gridiron – a toasting-fork might be discovered by the side of Eusebius – Plato reclined at his ease in the frying-pan- and contemporary manuscripts were filed away upon the spit.

In other respects the Cafe de Bon-Bon might be said to differ little from the usual restaurants of the period. A fireplace yawned opposite the door. On the right of the fireplace an open cupboard displayed a formidable array of labelled bottles.

It was here, about twelve o’clock one night during the severe winter the comments of his neighbours upon his singular propensity – that Pierre Bon-Bon, I say, having turned them all out of his house, locked the door upon them with an oath, and betook himself in no very pacific mood to the comforts of a leather-bottomed arm-chair, and a fire of blazing fagots.

It was one of those terrific nights which are only met with once or twice during a century. It snowed fiercely, and the house tottered to its centre with the floods of wind that, rushing through the crannies in the wall, and pouring impetuously down the chimney, shook awfully the curtains of the philosopher’s bed, and disorganized the economy of his pate-pans and papers. The huge folio sign that swung without, exposed to the fury of the tempest, creaked ominously, and gave out a moaning sound from its stanchions of solid oak.