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From his mat in the lee scupper David groaned miserably. He was far removed from any of the greater emotions.

“It’s no use!” he protested. “They can’t do! It’s not connected!”

“WHAT’S not connected?” yelled Carr. He fell upon David. He half-lifted, half-dragged him to his feet.

“If you know what’s wrong with that gun, you fix it! Fix it,” he shouted, “or I’ll–“

David was not concerned with the vengeance Carr threatened. For, on the instant a miracle had taken place. With the swift insidiousness of morphine, peace ran through his veins, soothed his racked body, his jangled nerves. The Three Friends had made the harbor, and was gliding through water flat as a pond. But David did not know why the change had come. He knew only that his soul and body were at rest, that the sun was shining, that he had passed through the valley of the shadow, and once more was a sane, sound young man.

With a savage thrust of the shoulder he sent Lighthouse Harry sprawling from the gun. With swift, practised fingers he fell upon its mechanism. He wrenched it apart. He lifted it, reset, readjusted it.

Ignorant themselves, those about him saw that he understood, saw that his work was good.

They raised a joyous, defiant cheer. But a shower of bullets drove them to cover, bullets that ripped the deck, splintered the superstructure, smashed the glass in the air ports, like angry wasps sang in a continuous whining chorus. Intent only on the gun, David worked feverishly. He swung to the breech, locked it, and dragged it open, pulled on the trigger and found it gave before his forefinger.

He shouted with delight.

“I’ve got it working,” he yelled.

He turned to his audience, but his audience had fled. From beneath one of the life-boats protruded the riding-boots of Colonel Beamish, the tall form of Lighthouse Harry was doubled behind a water butt. A shell splashed to port, a shell splashed to starboard. For an instant David stood staring wide-eyed at the greyhound of a boat that ate up the distance between them, at the jets of smoke and stabs of flame that sprang from her bow, at the figures crouched behind her gunwale, firing in volleys.

To David it came suddenly, convincingly, that in a dream he had lived it all before, and something like raw poison stirred in David, something leaped to his throat and choked him, something rose in his brain and made him see scarlet. He felt rather than saw young Carr kneeling at the box of ammunition, and holding a shell toward him. He heard the click as the breech shut, felt the rubber tire of the brace give against the weight of his shoulder, down a long shining tube saw the pursuing gun-boat, saw her again and many times disappear behind a flash of flame. A bullet gashed his forehead, a bullet passed deftly through his forearm, but he did not heed them. Confused with the thrashing of the engines, with the roar of the gun he heard a strange voice shrieking unceasingly:

“Cuba libre!” it yelled. “To hell with Spain!” and he found that the voice was his own.

The story lost nothing in the way Carr wrote it.

“And the best of it is,” he exclaimed joyfully, “it’s true!”

For a Spanish gun-boat HAD been crippled and forced to run herself aground by a tug-boat manned by Cuban patriots, and by a single gun served by one man, and that man an American. It was the first sea-fight of the war. Over night a Cuban navy had been born, and into the limelight a cub reporter had projected a new “hero,” a ready-made, warranted-not-to-run, popular idol.

They were seated in the pilot-house, “Jimmy” Doyle, Carr, and David, the patriots and their arms had been safely dumped upon the coast of Cuba, and The Three Friends was gliding swiftly and, having caught the Florida straits napping, smoothly toward Key West. Carr had just finished reading aloud his account of the engagement.