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And yet there was a tantalizing incompleteness about his personal reminiscences. Elizabeth was one of those persons who like to begin a friendship with a full statement of their position, their previous life, and the causes which led up to their being in this particular spot at this particular time. At their next meeting, before he had had time to say much on his own account, she had told him of her life in the small Canadian town where she had passed the early part of her life; of the rich and unexpected aunt who had sent her to college for no particular reason that anyone could ascertain except that she enjoyed being unexpected; of the legacy from this same aunt, far smaller than might have been hoped for, but sufficient to send a grateful Elizabeth to New York, to try her luck there; of editors, magazines, manuscripts refused or accepted, plots for stories; of life in general, as lived down where the Arch spans Fifth Avenue and the lighted cross of the Judson shines by night on Washington Square.

Ceasing eventually, she waited for him to begin; and he did not begin–not, that is to say, in the sense the word conveyed to Elizabeth. He spoke briefly of college, still more briefly of Chicago–which city he appeared to regard with a distaste that made Lot’s attitude towards the Cities of the Plain almost kindly by comparison. Then, as if he had fulfilled the demands of the most exacting inquisitor in the matter of personal reminiscence, he began to speak of the play.

The only facts concerning him to which Elizabeth could really have sworn with a clear conscience at the end of the second week of their acquaintance were that he was very poor, and that this play meant everything to him.

The statement that it meant everything to him insinuated itself so frequently into his conversation that it weighed on Elizabeth’s mind like a burden, and by degrees she found herself giving the play place of honour in her thoughts over and above her own little ventures. With this stupendous thing hanging in the balance, it seemed almost wicked of her to devote a moment to wondering whether the editor of an evening paper, who had half promised to give her the entrancing post of Adviser to the Lovelorn on his journal, would fulfil that half-promise.

At an early stage in their friendship the young man had told her the plot of the piece; and if he had not unfortunately forgotten several important episodes and had to leap back to them across a gulf of one or two acts, and if he had referred to his characters by name instead of by such descriptions as ‘the fellow who’s in love with the girl–not what’s-his-name but the other chap’–she would no doubt have got that mental half-Nelson on it which is such a help towards the proper understanding of a four-act comedy. As it was, his precis had left her a little vague; but she said it was perfectly splendid, and he said did she really think so. And she said yes, she did, and they were both happy.

Rehearsals seemed to prey on his spirits a good deal. He attended them with the pathetic regularity of the young dramatist, but they appeared to bring him little balm. Elizabeth generally found him steeped in gloom, and then she would postpone the recital, to which she had been looking forward, of whatever little triumph she might have happened to win, and devote herself to the task of cheering him up. If women were wonderful in no other way, they would be wonderful for their genius for listening to shop instead of talking it.

Elizabeth was feeling more than a little proud of the way in which her judgement of this young man was being justified. Life in Bohemian New York had left her decidedly wary of strange young men, not formally introduced; her faith in human nature had had to undergo much straining. Wolves in sheep’s clothing were common objects of the wayside in her unprotected life; and perhaps her chief reason for appreciating this friendship was the feeling of safety which it gave her.