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PAGE 28

Billy Budd, Foretopman
by [?]

‘I do, sir. ’

‘Go find him. It is his watch off. Manage to tell him out of earshot that he is wanted aft. Contrive it that he speaks to nobody. Keep him in talk yourself. And not till you get well aft here, not till then, let him know that the place where he is wanted is my cabin. You understand? Go. Master-at-arms, show yourself on the decks below, and when you think it time for Albert to be coming with his man, stand by quietly to follow the sailor in. ’

XVII

Now when the foretopman found himself closeted, as it were, in the cabin with the captain and Claggart, he was surprised enough. But it was a surprise unaccompanied by apprehension or distrust. To an immature nature, essentially honest and humane, forewarning intimations of subtler danger from one’s kind came tardily, if at all. The only thing that took shape in the young sailor’s mind was this: ‘Yes, the captain, I have always thought, looks kindly upon me. Wonder if he’s going to make me his coxswain. I should like that. And maybe now he is going to ask the master-at-arms about me. ’

‘Shut the door there, sentry,’ said the commander. ‘Stand without and let nobody come in. Now, master-at-arms, tell this man to his face what you told of him to me’—and stood prepared to scrutinise the mutually confronting visages.

With the measured step and calm collected air of an asylum physician approaching in the public hall some patient beginning to show indications of a coming paroxysm, Claggart deliberately advanced within short range of Billy, and mesmerically looking him in the eye, briefly recapitulated the accusation.

Not at first did Billy take it in. When he did the rose-tan of his cheek looked struck as by white leprosy. He stood like one impaled and gagged. Meanwhile the accuser’s eyes, removing not as yet from the blue, dilated ones, underwent a phenomenal change, their wonted rich violet colour blurring into a muddy purple. Those lights of human intelligence, losing human expression, gelidly protruded like the alien eyes of certain uncatalogued creatures of the deep.

The first mesmeric glance was one of surprised fascination; the last was as the hungry lurch of the torpedo-fish.

‘Speak, man!’ said Captain Vere to the transfixed one, struck by his aspect even more than by Claggart’s. ‘Speak! defend yourself. ’ Which appeal caused but a strange, dumb gesturing and gurgling in Billy, amazement at such an accusation so suddenly sprung on inexperienced nonage; this, and it may be horror at the accuser, served to bring out his lurking defect, and in this instance for the time intensified it into a convulsed tongue-tie; while the intent head and entire form, straining forward in an agony of ineffectual eagerness to obey the injunction to speak and defend himself, gave an expression to the face like that of a condemned vestal priestess in the moment of being buried alive, and in the first struggle against suffocation.

Though at the time Captain Vere was quite ignorant of Billy’s liability to vocal impediment, he now immediately divined it, since vividly Billy’s aspect recalled to him that of a bright young schoolmate of his whom he had seen struck by much the same startling impotence in the act of eagerly rising in the class to be foremost in response to a testing question put to it by the master. Going close up to the young sailor, and laying a soothing hand on his shoulder, he said, ‘There is no hurry, my boy. Take your time, take your time. ’ Contrary to the effect intended, these words, so fatherly in tone, doubtless touching Billy’s heart to the quick, prompted yet more violent efforts at utterance—efforts soon ending for the time in confirming the paralysis, and bringing to the face an expression which was as a crucifixion to behold. The next instant, quick as the flame from a discharged cannon at night, his right arm shot out, and Claggart dropped to the deck. Whether intentionally, or but owing to the young athlete’s superior height, the blow had taken effect full upon the forehead, so shapely and intellectual-looking a feature in the master-at-arms; so that the body fell over lengthwise, like a heavy plank tilted from erectness. A gasp or two, and he lay motionless.