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Beyond the Marshes
by
The door is opened by Mrs. McPhail. That is not her name, of course. I am not going to outrage the shy modesty of that little woman by putting her name in bold print for all the world to see. A dear little woman she is, bowed somewhat with the burden of her life, but though her sweet face is worn and thin, it is very bright, and now it is aglow with welcome to her friend the missionary. She welcomes me, too, but with a gentle reserve. She is ready enough to give of her heart’s wealth, but only to those she has learned to trust. And my friend has gained a full reward for his six months’ work in that he has won this woman’s willing trust. When the flush called up by the greeting dies, I see how pale she is, and I wonder how the winds and frosts and fierce suns have left so little trace upon the face of a Manitoba farmer’s wife. I understand this later, but not now.
When she was a girl, her hair was thick and fair, but now it is white and thin, and is drawn smoothly back and fastened in a decent little knot behind. Her eyes, once bright and blue, are blue still, but faded, for tears, salt and hot, have washed out the color. She wears a flannel dress, simple and neat; and the collar at the neck and the lace-edged kerchief at the breast and the tidy daintiness of all about her make her a picture of one who had been in her youth “a weel brocht-up lass.”
Her house is her mirror. The newly plastered, log-built walls are snow-white, the pine floor snow-white, and when the cloth is spread for tea, it, too, is snow-white. Upon the wall hangs a row of graduated pewter platter covers. How pathetically incongruous are they on the walls of this Canadian log house! But they shine. The table and the chairs shine. The spoons and knives and glasses and dishes shine, glitter. The whole kitchen is spotless, from the white window blinds to the white floor, and there is a glitter on every side, from the pathetic pewter covers on the wall to the old silver teaspoons upon the table.
Mr. McPhail comes in, a small man with a quiet, husky voice and a self-respecting manner. His eye is clear and dark blue, and has a look of intellect in it. When he speaks he has a way of looking straight into you with a steady, thoughtful gaze. A man would find it equally difficult to doubt or to deceive him. The pioneer life has bowed his body and subdued his spirit, but the whole mass of his trials and the full weight of his burdens have not broken his heart’s courage, nor soured its sweetness, nor dimmed his hope in God.
We are invited to tea with an air of apologetic cordiality. The food is fit for princes–home-made bread white and flaky, butter yellow and sweet, eggs just from the nest, and cream. There is cream enough for your tea, for fruit, and to drink! Cake there is, too, and other dainties; but not for me. No cake nor dainty can tempt me from this bread and butter. Queen Victoria has not better this night. I much doubt if she has as good! God bless her!
At the head and foot of the table sit the father and mother, and Alexander, Jean, and Donald, with the missionary and myself, make up the company. The children take their tea in silence but for a whispered request now and then, or a reply to some low-toned direction from the mother. They listen interested in their elders’ talk, and hugely amused at the jokes. There is no pert interjection of smart sayings, so awful in ill-trained children of ill-bred parents. They have learned that ancient and almost forgotten doctrine that children should be seen. I tell my best stories and make my pet jokes just to see them laugh. They laugh, as they do everything else, with a gentle reserve; and occasionally Jean, a girl of fifteen, shy like the rest, pulls herself up with a blush lest she has been unduly moved to laughter. The mother presides over all with a quiet efficiency, taking keen, intelligent interest in the conversation, now and then putting a revealing question, all the while keeping a watchful eye upon the visitors’ plates lest they should come near being empty.