FullReads

“Well, this fellow chases the royal chair-warmer home, as I said, and finds out who she is. He meets here on the corso or the strasse one evening and gives us ten pages of conversation. She reminds him of the difference in their stations, and that gives him a chance to ring in three solid pages about America’s uncrowned sovereigns. If you’d take his remarks and set ’em to music, and then take the music away from ’em, they’d sound exactly like one of George Cohan’s songs.

“Well, you know how it runs on, if you ve read any of ’em–he slaps the king’s Swiss body-guards around like everything whenever they get in his way. He’s a great fencer, too. Now, I’ve known of some Chicago men who were pretty notorious fences, but I never heard of any fencers coming from there. He stands on the first landing of the royal staircase in Castle Schutzenfestenstein with a gleaming rapier in his hand, and makes a Baltimore broil of six platoons of traitors who come to massacre the said king. And then he has to fight duels with a couple of chancellors, and foil a plot by four Austrian archdukes to seize the kingdom for a gasoline-station.

“But the great scene is when his rival for the princess’ hand, Count Feodor, attacks him between the portcullis and the ruined chapel, armed with a mitrailleuse, a yataghan, and a couple of Siberian bloodhounds. This scene is what runs the best-seller into the twenty- ninth edition before the publisher has had time to draw a check for the advance royalties.

“The American hero shucks his coat and throws it over the heads of the bloodhounds, gives the mitrailleuse a slap with his mitt, says ‘Yah!’ to the yataghan, and lands in Kid McCoy’s best style on the count’s left eye. Of course, we have a neat little prize-fight right then and there. The count–in order to make the go possible–seems to be an expert at the art of self-defence, himself; and here we have the Corbett-Sullivan fight done over into literature. The book ends with the broker and the princess doing a John Cecil Clay cover under the linden-trees on the Gorgonzola Walk. That winds up the love-story plenty good enough. But I notice that the book dodges the final issue. Even a best-seller has sense enough to shy at either leaving a Chicago grain broker on the throne of Lobsterpotsdam or bringing over a real princess to eat fish and potato salad in an Italian chalet on Michigan Avenue. What do you think about ’em?”

“Why,” said I, “I hardly know, John. There’s a saying: ‘Love levels all ranks,’ you know.”

“Yes,” said Pescud, “but these kind of love-stories are rank–on the level. I know something about literature, even if I am in plate- glass. These kind of books are wrong, and yet I never go into a train but what they pile ’em up on me. No good can come out of an international clinch between the Old-World aristocracy and one of us fresh Americans. When people in real life marry, they generally hunt up somebody in their own station. A fellow usually picks out a girl that went to the same high-school and belonged to the same singing- society that he did. When young millionaires fall in love, they always select the chorus-girl that likes the same kind of sauce on the lobster that he does. Washington newspaper correspondents always many widow ladies ten years older than themselves who keep boarding-houses. No, sir, you can’t make a novel sound right to me when it makes one of C. D. Gibson’s bright young men go abroad and turn kingdoms upside down just because he’s a Taft American aud took a course at a gymnasium. And listen how they talk, too!”