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Beauty and The Beast
by
(Here there was another meaning bow towards Prince Alexis,–a bow in which Jupiter and Venus joined. This was the great point of the evening, in the opinion of Simon Petrovitch. He peeped through a hole in one of the clouds, and, seeing the delight of Prince Alexis and the congratulations of his friends, immediately took a large glass of Cognac).
The Graces were then summoned, and after them the Muses–all in hoops, powder, and paint. Their songs had the same burden,– intense admiration of the father, and good-will for the son, underlaid with a delicate doubt. The close was a chorus of all the deities and semi-deities in praise of the old Prince, with the accompaniment of fireworks. Apollo rose through the air like a frog, with his blue legs and yellow arms wide apart; Jupiter’s chariot rolled off; Venus bowed herself back against a mouldy cloud; and the Muses came forward in a bunch, with a wreath of laurel, which they placed upon the venerated head.
Sasha was dispatched to bring the poet, that he might receive his well-earned praise and reward. But alas for Simon Petrovitch? His legs had already doubled under him. He was awarded fifty rubles and a new caftan, which he was not in a condition to accept until several days afterward.
The supper which followed resembled the dinner, except that there were fewer dishes and more bottles. When the closing course of sweatmeats had either been consumed or transferred to the pockets of the guests, the Princess Martha retired with the ladies. The guests of lower rank followed; and there remained only some fifteen or twenty, who were thereupon conducted by Prince Alexis to a smaller chamber, where he pulled off his coat, lit his pipe, and called for brandy. The others followed his example, and their revelry wore out the night.
Such was the festival which preceded the departure of Prince Boris for St. Petersburg.
IV.
Before following the young Prince and his fortunes, in the capital, we must relate two incidents which somewhat disturbed the ordered course of life in the castle of Kinesma, during the first month or two after his departure.
It must be stated, as one favorable trait in the character of Prince Alexis, that, however brutally he treated his serfs, he allowed no other man to oppress them. All they had and were–their services, bodies, lives–belonged to him; hence injustice towards them was disrespect towards their lord. Under the fear which his barbarity inspired lurked a brute-like attachment, kept alive by the recognition of this quality.
One day it was reported to him that Gregor, a merchant in the bazaar at Kinesma, had cheated the wife of one of his serfs in the purchase of a piece of cloth. Mounting his horse, he rode at once to Gregor’s booth, called for the cloth, and sent the entire piece to the woman, in the merchant’s name, as a confessed act of reparation.
“Now, Gregor, my child,” said he, as he turned his horse’s head, “have a care in future, and play me no more dishonest tricks. Do you hear? I shall come and take your business in hand myself, if the like happens again.”
Not ten days passed before the like–or something fully as bad– did happen. Gregor must have been a new comer in Kinesma, or he would not have tried the experiment. In an hour from the time it was announced, Prince Alexis appeared in the bazaar with a short whip under his arm.
He dismounted at the booth with an ironical smile on his face, which chilled the very marrow in the merchant’s bones.
“Ah, Gregor, my child,” he shouted, “you have already forgotten my commands. Holy St. Nicholas, what a bad memory the boy has! Why, he can’t be trusted to do business: I must attend to the shop myself. Out of the way! march!”