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“Come and see Aunt Jennie,” his father said to Claude.

“She-she looks like, mamma,” whispered Rose tremulously, and Claude came somewhat bashfully into the house.

There he saw a woman whose face did indeed look, like his mother’s, and he felt mother-arms put around him. He heard a voice like his mother’s say, “Is this my boy?” He felt a warm teardrop on his cheek, and he knew that Aunt Jennie understood and cared for boys, and that he would be indeed “her boy.”

That afternoon they all drove away from the ranch, leaving Cousin Harriet smitten with a sudden sense of loneliness, for she had even. grown attached to Claude as well as to his sisters. The boy looked back at the ranch. It was rapidly being left behind, but he could still see the green patch of corn that covered the place where the alkali used to be. Rut the boy was, not thinking of the alkali patch alone. A look of reverent thankfulness came into his face. “Mother will be glad I ever met Neil,” he thought.

TWO small brown hands were held outstretched in the air. Cautiously they moved forward, lower and lower. Then they darted and grasped with speed what seemed to be some sand. Something in the sand objected, but the boy held on and gathered sand and all into his tin. He looked with much satisfaction at his presumably indignant prisoner, a spiny gray “horned toad” that had been peaceably sunning himself, nearly buried in sand, on the hill.

The owner of the two nimble hands, Arturo, smiled.

“Get four bit, maybe!” he anticipated.

“Get four bit for tia Marta!”

In California “four bits” means a half dollar. Occasionally somebody on the overland train that stopped at the station in town would be attracted toward a spiny “horned toad” as a curiosity, and would buy one. Arturo meant to try to sell this specimen in that way. If he got the money, he would give it to tia Marta.

Tia Mama was Arturo’s aunt. “Tia” means “aunt” in Spanish. Presumably for the reason that nephews are sometimes troublesome to their aunts, there is a Spanish proverb that warns a nephew against making his aunt too frequent visits:

En casa de tia, Mas no cads dia:’ (“In the house of thy aunt, But not every day.”) Notwithstanding this adage, however, the boy Arturo lived with his Aunt Marta. This was not always pleasant, for neither Arturo nor tia Marta was perfect. Yet they really thought a good deal of each other. The third member of the household was Tia Marta’s husband, do (uncle) Diego, but he was very old and lame, and could not work. Tia Marta earned the living, and Arturo usually thought of himself as dwelling with tia Marta rather than do Diego. Arturo never quarreled with his uncle.

When the overland train stopped at the station for water, and Arturo rushed breathlessly to sell his horned toad, the eager boy found no passenger who was desirous of being a customer save an old gentleman who doubtfully offered twenty-five cents for the creature. ‘Arturo stuck bravely to his intended price of “four bits,” but the train creaked for starting, and, alarmed, the boy hastily handed over the toad, took the quarter of a dollar, and rushed off the train.

The old gentleman shouted from the platform for instructions as to feeding his pet, ‘axed Arturo shouted back advice in broken English to let it catch “muchos, muchos” (many) flies, and have “mucho, mucho” air. The toad was in a pasta-board box at present. Arturo was anxious that it should be well treated, for the boy felt it would not be fair to make the creature a prisoner, and then sell it to somebody who would starve it.

The old gentleman seemed satisfied with the shouted directions. But when the train had puffed away, Arturo sat down and wrathfully looked at his quarter of a dollar.