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PAGE 2

Arvie Aspinall’s Alarm Clock
by [?]

“Mother!” he said suddenly, “I think it lies.” She placed the clock on the shelf, tucked him into his little bed on the sofa, and blew out the light.

Arvie seemed to sleep, but she lay awake thinking of her troubles. Of her husband carried home dead from his work one morning; of her eldest son who only came to loaf on her when he was out of jail; of the second son, who had feathered his nest in another city, and had no use for her any longer; of the next–poor delicate little Arvie–struggling manfully to help, and wearing his young life out at Grinder Bros when he should be at school; of the five helpless younger children asleep in the next room: of her hard life–scrubbing floors from half-past five till eight, and then starting her day’s work– washing!–of having to rear her children in the atmosphere of the slums, because she could not afford to move and pay a higher rent; and of the rent.

Arvie commenced to mutter in his sleep.

“Can’t you get to sleep, Arvie?” she asked. “Is your throat sore? Can I get anything for you?”

“I’d like to sleep,” he muttered, dreamily, “but it won’t seem more’n a moment before–before–“

“Before what, Arvie?” she asked, quickly, fearing that he was becoming delirious.

“Before the alarm goes off!”

He was talking in his sleep.

She rose gently and put the alarm on two hours. “He can rest now,” she whispered to herself.

Presently Arvie sat bolt upright, and said quickly, “Mother! I thought the alarm went off!” Then, without waiting for an answer, he lay down as suddenly and slept.

The rain had cleared away, and a bright, starry dome was over sea and city, over slum and villa alike; but little of it could be seen from the hovel in Jones’s Alley, save a glimpse of the Southern Cross and a few stars round it. It was what ladies call a “lovely night,” as seen from the house of Grinder–“Grinderville”–with its moonlit terraces and gardens sloping gently to the water, and its windows lit up for an Easter ball, and its reception-rooms thronged by its own exclusive set, and one of its charming and accomplished daughters melting a select party to tears by her pathetic recitation about a little crossing sweeper.

There was something wrong with the alarm-clock, or else Mrs Aspinall had made a mistake, for the gong sounded startlingly in the dead of night. She woke with a painful start, and lay still, expecting to hear Arvie get up; but he made no sign. She turned a white, frightened face towards the sofa where he lay–the light from the alley’s solitary lamp on the pavement above shone down through the window, and she saw that he had not moved.

Why didn’t the clock wake him? He was such a light sleeper! “Arvie!” she called; no answer. “Arvie !” she called again, with a strange ring of remonstrance mingling with the terror in her voice. Arvie never answered.

“Oh! my God!” she moaned.

She rose and stood by the sofa. Arvie lay on his back with his arms folded–a favourite sleeping position of his; but his eyes were wide open and staring upwards as though they would stare through ceiling and roof to the place where God ought to be.

[THE END]

Notes on Australianisms

Based on my own speech over the years, with some checking in the dictionaries. Not all of these are peculiar to Australian slang, but are important in Lawson’s stories, and carry overtones.

bagman: commercial traveller

Bananaland: Queensland

billabong. Based on an aboriginal word. Sometimes used for an anabranch (a bend in a river cut off by a new channel, but more often used for one that, in dry season or droughts especially, is cut off at either or both ends from the main stream. It is often just a muddy pool, and may indeed dry up completely.

billy: quintessentially Australian. It is like (or may even be made out of) a medium-sized can, with wire handles and a lid. Used to boil water. If for tea, the leaves are added into the billy itself; the billy may be swung (‘to make the leaves settle’) or a eucalyptus twig place across the top, more ritual than pragmatic. These stories are supposedly told while the billy is suspended over the fire at night, at the end of a tramp. (Also used in want of other things, for cooking)