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Smirke and his pupil read the ancient poets together, and rattled through them at a pleasant rate, very different from that steady grubbing pace with which he was obliged to go over the classis ground at Grey Friars, scenting out each word and digging up every root in the way. Pen never liked to halt, but made his tutor construe when he was at fault, and thus galloped through the Iliad and the Odyssey and the charming, wicked Aristophanes. But he went so fast that though he certainly galloped through a considerable extent of the ancient country, he clean forgot it in after life. Besides the ancient poets, Pen read the English with great gusto. Smirke sighed and shook his head sadly both about Byron and Moore. But Pen was a sworn fire-worshipper and a corsair; he had them by heart, and used to take little Laura into the window and say, “Zuleika, I am not thy brother,” in tones so tragic that they caused the solemn little maid to open her great eyes still wider. She sat sewing at Mrs. Pendennis’s knee, listening to Pen reading to her without understanding one word of what he said.

He read Shakespeare to his mother, and Byron and Pope, and his favourite “Lalla Rookh” and Bishop Heber and Mrs. Hemans, and about this period of his existence began to write verses of his own. He broke out in the poet’s corner of the County Chronicle with some verses with which he was perfectly well satisfied. His are the verses signed NEP addressed “To a Tear,” “On the Anniversary of the Battle of Waterloo,” “On St. Bartholomew’s Day,” etc., etc., all of which masterpieces Mrs. Pendennis kept along with his first socks, the first cutting of his hair, his bottle and other interesting relics of his infancy. His genius at this time was of a decidedly gloomy cast. He brought his mother a tragedy in which, though he killed sixteen people before the second act, she laughed so that he thrust the masterpiece into the fire in a pet. He also projected an epic poem in blank verse, and several other classical pieces of a gloomy character, and was altogether of an intense and sentimental turn of mind quite in contrast with his practical and merry appearance. The sentimental side of his nature, fed by the productions of his favourite poets and fanned by the romantic temperament of his tutor, soon found an object to kindle the spark into a blaze, and a most unfortunate blaze for Pen.

While Mrs. Pendennis was planning her son’s career and had not yet settled in her mind whether he was to be Senior Wrangler and Archbishop of Canterbury, or Double First Class at Oxford and Lord Chancellor, young Pen himself was starting out on quite a different career, which seemed destined to lead him in the opposite direction from that of his mother’s day-dreams, who had made up her mind that in time he was to marry little Laura, settle in London and astonish that city by his learning and eloquence at the Bar; or, better still, in a sweet country parsonage surrounded by hollyhocks and roses close to a delightful, romantic, ivy-covered church, from the pulpit of which Pen would utter the most beautiful sermons ever preached.

While these plans and decisions were occupying his mother’s thoughts, Pen was getting into mischief. One day he rode into Chatteris to carry to the County Chronicle a thrilling poem for the next week’s paper; and while putting up his horse at the stables at the George hotel, he fell in with an old school-fellow, Mr. Foker, who after a desultory conversation with Pen strolled down High Street with him, and persuaded him not only to dine at the George with him, but to accompany him later to the theatre. Mr. Foker, who was something of a sport, was acquainted with the troupe who were then acting at that theatre, and the entire atmosphere was so new and exciting to Pen that his emotional nature, which had been waiting for many months for a sensational thrill, responded at once to the idea; and later on to the applause of pit and gallery, and to the personal magnetism of the heroine of the play, one Miss Fotheringay.