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Susanna closed the book, and was about to leave the room.

‘Wait a bit, wait a bit,’ began Mr. Ratsch. ‘It’s no great matter if you’re not in your best dress….’ (Susanna was wearing a very old, almost childish, frock with short sleeves.) ‘Our dear guest is not a stickler for ceremony, and I should like just to clear up last week…. You don’t mind?’–he addressed me. ‘We needn’t stand on ceremony with you, eh?’

‘Please don’t put yourself out on my account!’ I cried.

‘To be sure, my good friend. As you’re aware, the late Tsar Alexey Nikolavitch Romanoff used to say, “Time is for business, but a minute for recreation!” We’ll devote one minute only to that same business… ha-ha! What about that thirteen roubles and thirty kopecks?’ he added in a low voice, turning his back on me.

‘Viktor took it from Eleonora Karpovna; he said that it was with your leave,’ Susanna replied, also in a low voice.

‘He said… he said… my leave…’ growled Ivan Demianitch. ‘I’m on the spot myself, I fancy. Might be asked. And who’s had that seventeen roubles?’

‘The upholsterer.’

‘Oh… the upholsterer. What’s that for?’ ‘His bill.’

‘His bill. Show me!’ He pulled the book away from Susanna, and planting a pair of round spectacles with silver rims on his nose, he began passing his finger along the lines. ‘The upholsterer,.. the upholsterer… You’d chuck all the money out of doors! Nothing pleases you better!… Wie die Croaten! A bill indeed! But, after all,’ he added aloud, and he turned round facing me again, and pulled the spectacles off his nose, ‘why do this now? I can go into these wretched details later. Susanna Ivanovna, be so good as to put away that account-book, and come back to us and enchant our kind guest’s ears with your musical accomplishments, to wit, playing on the pianoforte… Eh?’

Susanna turned away her head.

‘I should be very happy,’ I hastily observed; ‘it would be a great pleasure for me to hear Susanna Ivanovna play. But I would not for anything in the world be a trouble…’

‘Trouble, indeed, what nonsense! Now then, Susanna Ivanovna, eins, zwei, drei!’

Susanna made no response, and went out.

XIII

I had not expected her to come back; but she quickly reappeared. She had not even changed her dress, and sitting down in a corner, she looked twice intently at me. Whether it was that she was conscious in my manner to her of the involuntary respect, inexplicable to myself, which, more than curiosity, more even than sympathy, she aroused in me, or whether she was in a softened frame of mind that day, any way, she suddenly went to the piano, and laying her hand irresolutely on the keys, and turning her head a little over her shoulder towards me, she asked what I would like her to play. Before I had time to answer she had seated herself, taken up some music, hurriedly opened it, and begun to play. I loved music from childhood, but at that time I had but little comprehension of it, and very slight knowledge of the works of the great masters, and if Mr. Ratsch had not grumbled with some dissatisfaction, ‘Aha! wieder dieser Beethoven!’ I should not have guessed what Susanna had chosen. It was, as I found out afterwards, the celebrated sonata in F minor, opus 57. Susanna’s playing impressed me more than I can say; I had not expected such force, such fire, such bold execution. At the very first bars of the intensely passionate allegro, the beginning of the sonata, I felt that numbness, that chill and sweet terror of ecstasy, which instantaneously enwrap the soul when beauty bursts with sudden flight upon it. I did not stir a limb till the very end. I kept, wanting–and not daring–to sigh. I was sitting behind Susanna; I could not see her face; I saw only from time to time her long dark hair tossed up and down on her shoulders, her figure swaying impulsively, and her delicate arms and bare elbows swiftly, and rather angularly, moving. The last notes died away. I sighed at last. Susanna still sat before the piano.