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An Orchestral Violin
by
In spite of his defeats, his long and ineffectual struggle with adversity, M. Cristich, I discovered, as our acquaintance ripened, had none of the spleen and little of the vanity of the unsuccessful artist. He seemed in his forlorn old age to have accepted his discomfiture with touching resignation, having acquired neither cynicism nor indifference. He was simply an innocent old man, in love with his violin and with his art, who had acquiesced in disappointment; and it was impossible to decide, whether he even believed in his talent, or had not silently accredited the verdict of musical Vienna, which had condemned his opera in those days when he was ambitious. The precariousness of the London Opera was the one fact which I ever knew to excite him to expressions of personal resentment. When its doors were closed, his hard poverty (it was the only occasion when he protested against it), drove him, with his dear instrument and his accomplished fingers, into the orchestras of lighter houses, where he was compelled to play music which he despised. He grew silent and rueful during these periods of irksome servitude, rolled innumerable cigarettes, which he smoked with fierceness and great rapidity. When dinner was done, he was often volubly indignant, in Hungarian, to the proprietor. But with the beginning of the season his mood lightened. He bore himself more sprucely, and would leave me, to assist at a representation of Don Giovanni, or Tannhauser, with a face which was almost radiant. I had known him a year before it struck me that I should like to see him in his professional capacity. I told him of my desire a little diffidently, not knowing how my purpose might strike him. He responded graciously, but with an air of intrigue, laying a gentle hand upon my coat sleeve and bidding me wait. A day or two later, as we sat over our coffee, M. Cristich with an hesitating urbanity offered me an order.
‘If you would do me the honour to accept it, Monsieur! It is a stall, and a good one! I have never asked for one before, all these years, so they gave it to me easily. You see, I have few friends. It is for to-morrow, as you observe, I demanded it especially; it is an occasion of great interest to me,–ah! an occasion! You will come?’
‘You are too good, M. Cristich!’ I said with genuine gratitude, for indeed the gift came in season, the opera being at that time a luxury I could seldom command. ‘Need I say that I shall be delighted? And to hear Madame Romanoff, a chance one has so seldom!’
The old gentleman’s mild, dull eyes glistened. ‘Madame Romanoff!’ he repeated, ‘the marvellous Leonora! yes, yes! She has sung only once before in London. Ah, when I remember–‘ He broke off suddenly. As he rose, and prepared for departure, he held my hand a little longer than usual, giving it a more intimate pressure.
‘My dear young friend, will you think me a presumptuous old man, if I ask you to come and see me to-morrow in my apartment, when it is over? I will give you a glass of whisky, and we will smoke pipes, and you shall tell me your impressions–and then I will tell you why to-morrow I shall be so proud, why I show this emotion.’
II
The Opera was Fidelio, that stately, splendid work, whose melody, if one may make a pictorial comparison, has something of that rich and sun-warm colour which, certainly, on the canvasses of Rubens, affects one as an almost musical quality. It offered brilliant opportunities, and the incomparable singer had wasted none of them. So that when, at last, I pushed my way out of the crowded house and joined M. Cristich at the stage door, where he waited with eyes full of expectancy, the music still lingered about me, like the faint, past fragrance of incense, and I had no need to speak my thanks. He rested a light hand on my arm, and we walked towards his lodging silently; the musician carrying his instrument in its sombre case, and shivering from time to time, a tribute to the keen spring night. He stooped as he walked, his eyes trailing the ground; and a certain listlessness in his manner struck me a little strangely, as though he came fresh from some solemn or hieratic experience, of which the reaction had already begun to set in tediously, leaving him at the last unstrung and jaded, a little weary, of himself and the too strenuous occasion. It was not until we had crossed the threshold of a dingy, high house in a byway of Bloomsbury, and he had ushered me, with apologies, into his shabby room, near the sky, that the sense of his hospitable duties seemed to renovate him. He produced tumblers from an obscure recess behind his bed; set a kettle on the fire, a lodging-house fire, which scarcely smouldered with flickers of depressing, sulphurous flame, talking of indifferent subjects, as he watched for it to boil.