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An Old Town By The Sea
by
The building in which Messrs. Winn and Serat had their shops was the property of Nicholas Rousselet, a French gentleman of Demerara, the story of whose unconventional courtship of Miss Catherine Moffatt is pretty enough to bear retelling, and entitles him to a place in our limited collection of etchings. M. Rousselet had doubtless already mad excursions into the pays de tendre, and given Miss Catherine previous notice of the state of his heart, but it was not until one day during the hour of service at the Episcopal church that he brought matters to a crisis by handing to Miss Moffatt a small Bible, on the fly-leaf of which he had penciled the fifth verse of the Second Epistle of John–
“And now I beseech thee, lady, not as though I
wrote a new commandment unto thee, but that
which we had from the beginning, that we love one another.”
This was not to be resisted, at lease not by Miss Catherine, who demurely handed the volume back to him with a page turned down at the sixteenth verse in the first chapter of Ruth–
“Whither thou goest, I will go; and where thou lodgest, I
will lodge: thy people shall be my people, and thy God my
God: where thou diest, will I die, and there will I be
buried: the Lord do so to me, and more also, if aught but
death part thee and me.”
Aside from this quaint touch of romance, what attaches me to the happy pair–for the marriage was a fortunate one–is the fact that the Rousselets made their home in the old Atkinson mansion, which stood directly opposite my grandfather’s house on Court Street and was torn down in my childhood, to my great consternation. The building had been unoccupied for a quarter of a century, and was fast falling into decay with all its rich wood-carvings at cornice and lintel; but was it not full of ghosts, and if the old barracks were demolished, would not these ghosts, or some of them at least, take refuge in my grandfather’s house just across the way? Where else could they bestow themselves so conveniently? While the ancient mansion was in process of destruction, I used to peep round the corner of our barn at the workmen, and watch the indignant phantoms go soaring upward in spiral clouds of colonial dust.
A lady differing in many ways from Catherine Moffatt was the Mary Atkinson (once an inmate of this same manor house) who fell to the lot of the Rev. William Shurtleff, pastor of the South Church between 1733 and 1747. From the worldly standpoint, it was a fine match for the Newcastle clergyman–beauty, of the eagle-beaked kind; wealth, her share of the family plate; high birth, a sister to the Hon. Theodore Atkinson. But if the exemplary man had cast his eyes lower, peradventure he had found more happiness, though ill-bred persons without family plate are not necessarily amiable. Like Socrates, this long-suffering divine had always with him an object on which to cultivate heavenly patience, and patience, says the Eastern proverb, is the key to content. The spirit of Xantippe seems to have taken possession of Mrs. Shurtleff immediately after her marriage. The freakish disrespect with which she used her meek consort was a heavy cross to bear at a period in New England when clerical dignity was at its highest sensitive point. Her devices for torturing the poor gentleman were inexhaustible. Now she lets his Sabbath ruffs go unstarched; now she scandalizes him by some unseemly and frivolous color in her attire; now she leaves him to cook his own dinner at the kitchen coals; and now she locks him in his study, whither he has retired for a moment or two of prayer, previous to setting forth to perform the morning service. The congregation has assembled; the sexton has tolled the bell twice as long as is custom, and is beginning a third carillon, full of wonder that his reverence does not appear; and there sits Mistress Shurtleff in the family pew with a face as complacent as that of the cat that has eaten the canary. Presently the deacons appeal to her for information touching the good doctor. Mistress Shurtleff sweetly tells them that the good doctor was in his study when she left home. There he is found, indeed, and released from durance, begging the deacons to keep his mortification secret, to “give it an understanding, but no tongue.” Such was the discipline undergone by the worthy Dr. Shurtleff on his earthly pilgrimage. A portrait of this patient man–now a saint somewhere–hangs in the rooms of the New England Historical and Genealogical Society in Boston. There he can be seen in surplice and bands, with his lamblike, apostolic face looking down upon the heavy antiquarian labors of his busy descendants.