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‘That is pride and dignity,’ said the king, ‘and nothing can be more becoming.’

‘Pride or hardness, as you will,’ said the equerry; ‘but to my mind the choice of so many fierce creatures for her amusements seems to tell of a fierce nature, and I also think there is something suspicious in the care taken to prevent her speaking.’

The equerry’s remarks were full of good sense; but as opposition is only apt to increase love in the hearts of men, and especially of kings who hate being contradicted, this king begged, the very next day, for the hand of the Princess Mutinosa. It was granted him on two conditions.

The first was that the wedding should take place the very next day; and the second, that he should not speak to the princess till she was his wife; to all of which the king agreed, in spite of his equerry’s objections, so that the first word he heard his bride utter was the ‘Yes’ she spoke at their marriage.

Once married, however, she no longer placed any check on herself, and her ladies-in-waiting came in for plenty of rude speeches—- even the king did not escape scolding; but as he was a good- tempered man, and very much in love, he bore it patiently. A few days after the wedding the newly married pair set out for their kingdom without leaving many regrets behind.

The good equerry’s fears proved only too true, as the king found out to his cost. The young queen made her self most disagreeable to all her court, her spite and bad temper knew no bounds, and before the end of a month she was known far and wide as a regular vixen.

One day, when riding out, she met a poor old woman walking along the road, who made a curtsy and was going on, when the queen had her stopped, and cried: ‘You are a very impertinent person; don’t you know that I am the queen? And how dare you not make me a deeper curtsy?’

‘Madam,’ said the old woman, ‘I have never learnt how to measure curtsies; but I had no wish to fail in proper respect.’

‘What!’ screamed the queen; ‘she dares to answer! Tie her to my horse’s tail and I’ll just carry her at once to the best dancing- master in the town to learn how to curtsy.’

The old woman shrieked for mercy, but the queen would not listen, and only mocked when she said she was protected by the fairies. At last the poor old thing submitted to be tied up, but when the queen urged her horse on he never stirred. In vain she spurred him, he seemed turned to bronze. At the same moment the cord with which the old woman was tied changed into wreaths of flowers, and she herself into a tall and stately lady.

Looking disdainfully at the queen, she said, ‘Bad woman, unworthy of your crown; I wished to judge for myself whether all I heard of you was true. I have now no doubt of it, and you shall see whether the fairies are to be laughed at.’

So saying the fairy Placida (that was her name) blew a little gold whistle, and a chariot appeared drawn by six splendid ostriches. In it was seated the fairy queen, escorted by a dozen other fairies mounted on dragons.

All having dismounted, Placida told her adventures, and the fairy queen approved all she had done, and proposed turning Mutinosa into bronze like her horse.

Placida, however, who was very kind and gentle, begged for a milder sentence, and at last it was settled that Mutinosa should become her slave for life unless she should have a child to take her place.

The king was told of his wife’s fate and submitted to it, which, as he could do nothing to help it, was the only course open to him.

The fairies then all dispersed, Placida taking her slave with her, and on reaching her palace she said: ‘You ought by rights to be scullion, but as you have been delicately brought up the change might be too great for you. I shall therefore only order you to sweep my rooms carefully, and to wash and comb my little dog.’