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The author’s thoughts were diverted to another groove just then by the discovery that she was going to have a third child, and the collapse of her poetical venture had perhaps less effect upon her mind than it might have done if she had been domestically unoccupied. Her husband had paid the publisher’s bill with the doctor’s, and there it all had ended for the time. But, though less than a poet of her century, Ella was more than a mere multiplier of her kind, and latterly she had begun to feel the old afflatus once more. And now by an odd conjunction she found herself in the rooms of Robert Trewe.

She thoughtfully rose from her chair and searched the apartment with the interest of a fellow-tradesman. Yes, the volume of his own verse was among the rest. Though quite familiar with its contents, she read it here as if it spoke aloud to her, then called up Mrs. Hooper, the landlady, for some trivial service, and inquired again about the young man.

‘Well, I’m sure you’d be interested in him, ma’am, if you could see him, only he’s so shy that I don’t suppose you will.’ Mrs. Hooper seemed nothing loth to minister to her tenant’s curiosity about her predecessor. ‘Lived here long? Yes, nearly two years. He keeps on his rooms even when he’s not here: the soft air of this place suits his chest, and he likes to be able to come back at any time. He is mostly writing or reading, and doesn’t see many people, though, for the matter of that, he is such a good, kind young fellow that folks would only be too glad to be friendly with him if they knew him. You don’t meet kind-hearted people every day.’

‘Ah, he’s kind-hearted . . . and good.’

‘Yes; he’ll oblige me in anything if I ask him. “Mr. Trewe,” I say to him sometimes, “you are rather out of spirits.” “Well, I am, Mrs. Hooper,” he’ll say, “though I don’t know how you should find it out.” “Why not take a little change?” I ask. Then in a day or two he’ll say that he will take a trip to Paris, or Norway, or somewhere; and I assure you he comes back all the better for it.’

‘Ah, indeed! His is a sensitive nature, no doubt.’

‘Yes. Still he’s odd in some things. Once when he had finished a poem of his composition late at night he walked up and down the room rehearsing it; and the floors being so thin–jerry-built houses, you know, though I say it myself–he kept me awake up above him till I wished him further . . . But we get on very well.’

This was but the beginning of a series of conversations about the rising poet as the days went on. On one of these occasions Mrs. Hooper drew Ella’s attention to what she had not noticed before: minute scribblings in pencil on the wall-paper behind the curtains at the head of the bed.

‘O! let me look,’ said Mrs. Marchmill, unable to conceal a rush of tender curiosity as she bent her pretty face close to the wall.

‘These,’ said Mrs. Hooper, with the manner of a woman who knew things, ‘are the very beginnings and first thoughts of his verses. He has tried to rub most of them out, but you can read them still. My belief is that he wakes up in the night, you know, with some rhyme in his head, and jots it down there on the wall lest he should forget it by the morning. Some of these very lines you see here I have seen afterwards in print in the magazines. Some are newer; indeed, I have not seen that one before. It must have been done only a few days ago.’