PAGE 14
An Imaginative Woman
by
He drew her arm within his own, and conducted her out of the Cemetery. It was impossible to get back that night; and not wishing to be recognized in their present sorry condition, he took her to a miserable little coffee-house close to the station, whence they departed early in the morning, travelling almost without speaking, under the sense that it was one of those dreary situations occurring in married life which words could not mend, and reaching their own door at noon.
The months passed, and neither of the twain ever ventured to start a conversation upon this episode. Ella seemed to be only too frequently in a sad and listless mood, which might almost have been called pining. The time was approaching when she would have to undergo the stress of childbirth for a fourth time, and that apparently did not tend to raise her spirits.
‘I don’t think I shall get over it this time!’ she said one day.
‘Pooh! what childish foreboding! Why shouldn’t it be as well now as ever?’
She shook her head. ‘I feel almost sure I am going to die; and I should be glad, if it were not for Nelly, and Frank, and Tiny.’
‘And me!’
‘You’ll soon find somebody to fill my place,’ she murmured, with a sad smile. ‘And you’ll have a perfect right to; I assure you of that.’
‘Ell, you are not thinking still about that–poetical friend of yours?’
She neither admitted nor denied the charge. ‘I am not going to get over my illness this time,’ she reiterated. ‘Something tells me I shan’t.’
This view of things was rather a bad beginning, as it usually is; and, in fact, six weeks later, in the month of May, she was lying in her room, pulseless and bloodless, with hardly strength enough left to follow up one feeble breath with another, the infant for whose unnecessary life she was slowly parting with her own being fat and well. Just before her death she spoke to Marchmill softly:-
‘Will, I want to confess to you the entire circumstances of that–about you know what–that time we visited Solentsea. I can’t tell what possessed me–how I could forget you so, my husband! But I had got into a morbid state: I thought you had been unkind; that you had neglected me; that you weren’t up to my intellectual level, while he was, and far above it. I wanted a fuller appreciator, perhaps, rather than another lover–‘
She could get no further then for very exhaustion; and she went off in sudden collapse a few hours later, without having said anything more to her husband on the subject of her love for the poet. William Marchmill, in truth, like most husbands of several years’ standing, was little disturbed by retrospective jealousies, and had not shown the least anxiety to press her for confessions concerning a man dead and gone beyond any power of inconveniencing him more.
But when she had been buried a couple of years it chanced one day that, in turning over some forgotten papers that he wished to destroy before his second wife entered the house, he lighted on a lock of hair in an envelope, with the photograph of the deceased poet, a date being written on the back in his late wife’s hand. It was that of the time they spent at Solentsea.
Marchmill looked long and musingly at the hair and portrait, for something struck him. Fetching the little boy who had been the death of his mother, now a noisy toddler, he took him on his knee, held the lock of hair against the child’s head, and set up the photograph on the table behind, so that he could closely compare the features each countenance presented. There were undoubtedly strong traces of resemblance; the dreamy and peculiar expression of the poet’s face sat, as the transmitted idea, upon the child’s, and the hair was of the same hue.
‘I’m damned if I didn’t think so!’ murmured Marchmill. ‘Then she did play me false with that fellow at the lodgings! Let me see: the dates–the second week in August . . . the third week in May . . . Yes . . . yes . . . Get away, you poor little brat! You are nothing to me!’
1893.