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An Episode of Fiddletown
by
“Do you think,” said Mrs. Tretherick with an embarrassed voice and a prodigious blush, looking down, and addressing the fiery curls just visible in the folds of her dress–“do you think you will be ‘dood’ if I let you stay in here and sit with me?”
“And let me tall you Mamma?” queried Carry, looking up.
“And let you call me Mamma!” assented Mrs. Tretherick with an embarrassed laugh.
“Yeth,” said Carry promptly.
They entered the bedroom together. Carry’s eye instantly caught sight of the trunk.
“Are you dowin’ away adain, Mamma?” she said with a quick nervous look, and a clutch at the woman’s dress.
“No-o,” said Mrs. Tretherick, looking out of the window.
“Only playing your dowin’ away,” suggested Carry with a laugh. “Let me play too.”
Mrs. Tretherick assented. Carry flew into the next room, and presently reappeared dragging a small trunk, into which she gravely proceeded to pack her clothes. Mrs. Tretherick noticed that they were not many. A question or two regarding them brought out some further replies from the child; and before many minutes had elapsed, Mrs. Tretherick was in possession of all her earlier history. But, to do this, Mrs. Tretherick had been obliged to take Carry upon her lap, pending the most confidential disclosures. They sat thus a long time after Mrs. Tretherick had apparently ceased to be interested in Carry’s disclosures; and when lost in thought, she allowed the child to rattle on unheeded, and ran her fingers through the scarlet curls.
“You don’t hold me right, Mamma,” said Carry at last, after one or two uneasy shiftings of position.
“How should I hold you?” asked Mrs. Tretherick with a half-amused, half-embarrassed laugh.
“Dis way,” said Carry, curling up into position, with one arm around Mrs. Tretherick’s neck and her cheek resting on her bosom– “dis way–dere.” After a little preparatory nestling, not unlike some small animal, she closed her eyes, and went to sleep.
For a few moments the woman sat silent, scarcely daring to breathe in that artificial attitude. And then, whether from some occult sympathy in the touch, or God best knows what, a sudden fancy began to thrill her. She began by remembering an old pain that she had forgotten, an old horror that she had resolutely put away all these years. She recalled days of sickness and distrust–days of an overshadowing fear–days of preparation for something that was to be prevented, that WAS prevented, with mortal agony and fear. She thought of a life that might have been–she dared not say HAD been- -and wondered. It was six years ago; if it had lived, it would have been as old as Carry. The arms which were folded loosely around the sleeping child began to tremble, and tighten their clasp. And then the deep potential impulse came, and with a half- sob, half-sigh, she threw her arms out and drew the body of the sleeping child down, down, into her breast, down again and again as if she would hide it in the grave dug there years before. And the gust that shook her passed, and then, ah me! the rain.
A drop or two fell upon the curls of Carry, and she moved uneasily in her sleep. But the woman soothed her again–it was SO easy to do it now–and they sat there quiet and undisturbed, so quiet that they might have seemed incorporate of the lonely silent house, the slowly declining sunbeams, and the general air of desertion and abandonment, yet a desertion that had in it nothing of age, decay, or despair.
Colonel Starbottle waited at the Fiddletown Hotel all that night in vain. And the next morning, when Mr. Tretherick returned to his husks, he found the house vacant and untenanted, except by motes and sunbeams.
When it was fairly known that Mrs. Tretherick had run away, taking Mr. Tretherick’s own child with her, there was some excitement and much diversity of opinion, in Fiddletown. THE DUTCH FLAT INTELLIGENCER openly alluded to the “forcible abduction” of the child with the same freedom, and it is to be feared the same prejudice, with which it had criticized the abductor’s poetry. All of Mrs. Tretherick’s own sex, and perhaps a few of the opposite sex, whose distinctive quality was not, however, very strongly indicated, fully coincided in the views of the INTELLIGENCER. The majority, however, evaded the moral issue; that Mrs. Tretherick had shaken the red dust of Fiddletown from her dainty slippers was enough for them to know. They mourned the loss of the fair abductor more than her offense. They promptly rejected Tretherick as an injured husband and disconsolate father, and even went so far as to openly cast discredit on the sincerity of his grief. They reserved an ironical condolence for Colonel Starbottle, overbearing that excellent man with untimely and demonstrative sympathy in barrooms, saloons, and other localities not generally deemed favorable to the display of sentiment. “She was alliz a skittish thing, Kernel,” said one sympathizer, with a fine affectation of gloomy concern and great readiness of illustration; “and it’s kinder nat’ril thet she’d get away someday, and stampede that theer colt: but thet she should shake YOU, Kernel, diet she should jist shake you–is what gits me. And they do say thet you jist hung around thet hotel all night, and payrolled them corriders, and histed yourself up and down them stairs, and meandered in and out o’ thet piazzy, and all for nothing?” It was another generous and tenderly commiserating spirit that poured additional oil and wine on the colonel’s wounds. “The boys yer let on thet Mrs. Tretherick prevailed on ye to pack her trunk and a baby over from the house to the stage offis, and that the chap ez did go off with her thanked you, and offered you two short bits, and sed ez how he liked your looks, and ud employ you agin–and now you say it ain’t so? Well, I’ll tell the boys it ain’t so, and I’m glad I met you, for stories DO get round.”