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PAGE 2

Alice Doane’s Appeal
by [?]

Though with feminine susceptibility, my companions caught all the melancholy associations of the scene, yet these could but imperfectly overcome the gayety of girlish spirits. Their emotions came and went with quick vicissitude, and sometimes combined to form a peculiar and delicious excitement, the mirth brightening the gloom into a sunny shower of feeling, and a rainbow in the mind. My own more sombre mood was tinged by theirs. With now a merry word and next a sad one, we trod among the tangled weeds, and almost hoped that our feet would sink into the hollow of a witch’s grave. Such vestiges were to be found within the memory of man, but have vanished now, and with them, I believe, all traces of the precise spot of the executions. On the long and broad ridge of the eminence, there is no very decided elevation of any one point, nor other prominent marks, except the decayed stumps of two trees, standing near each other, and here and there the rocky substance of the hill, peeping just above the woodwax.

There are few such prospects of town and village, woodland and cultivated field, steeples and country seats, as we beheld from this unhappy spot. No blight had fallen on old Essex; all was prosperity and riches, healthfully distributed. Before us lay our native town, extending from the foot of the hill to the harbor, level as a chess board embraced by two arms of the sea, and filling the whole peninsula with a close assemblage of wooden roofs, overtopped by many a spire, and intermixed with frequent heaps of verdure, where trees threw up their shade from unseen trunks. Beyond was the bay and its islands, almost the only objects, in a country unmarked by strong natural features, on which time and human toil had produced no change. Retaining these portions of the scene, and also the peaceful glory and tender gloom of the declining sun, we threw, in imagination, a veil of deep forest over the land, and pictured a few scattered villages, and this old town itself a village, as when the prince of hell bore sway there. The idea thus gained of its former aspect, its quaint edifices standing far apart, with peaked roofs and projecting stories, and its single meeting-house pointing up a tall spire in the midst; the vision, in short, of the town in 1692, served to introduce a wondrous tale of those old times.

I had brought the manuscript in my pocket. It was one of a series written years ago, when my pen, now sluggish and perhaps feeble, because I have not much to hope or fear, was driven by stronger external motives, and a more passionate impulse within, than I am fated to feel again. Three or four of these tales had appeared in the "Token," after a long time and various adventures, but had encumbered me with no troublesome notoriety, even in my birthplace. One great heap had met a brighter destiny: they had fed the flames; thoughts meant to delight the world and endure for ages had perished in a moment, and stirred not a single heart but mine. The story now to be introduced, and another, chanced to be in kinder custody at the time, and thus, by no conspicuous merits of their own, escaped destruction.

The ladies, in consideration that I had never before intruded my performances on them, by any but the legitimate medium, through the press, consented to hear me read. I made them sit down on a moss-grown rock, close by the spot where we chose to believe that the death tree had stood. After a little hesitation on my part, caused by a dread of renewing my acquaintance with fantasies that had lost their charm in the ceaseless flux of mind, I began the tale, which opened darkly with the discovery of a murder.