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PAGE 16

Alas, The Poor Whiffletit!
by [?]

Not twenty feet from her, close up to where the abutting common met the straggling brick pavement, stood the battered Flyin’ Jinny of Gumbo Rollins. It was nearermost to the street-line of all the attractions provided by AEsop Loving and his associates. Here, on the site which he had chosen, was Gumbo Rollins himself, competently in charge. At the precise moment when Mittie May and her proud rider had reached a point just opposite him, Gumbo Rollins elected to set his device in motion and with it the steam-organ which was part and parcel of the thing’s organism. Really he might have waited a bit.

Lured by the prospect of beholding something for nothing, most of his consistent patrons temporarily had deserted him to flock out into the roadway and witness the passing by of the Sin Killer’s cohorts. Two infatuated lovers, country darkies, sat with arms entwined in a rickety wooden chariot. Here and there a piccaninny clung to the back of a spotted wooden pony or a striped wooden zebra. These, for the moment, were his only customers; nevertheless Gumbo Jones Rollins swung a lever and started the machinery. The merry-go-round moved with a shriek of steam; the wheezy organ began spouting forth the introductory bars of a rollicking galop, a tune so old that its very name had been forgotten, although the air of it lived anonymously.

As though she had been bee-stung, Mittie May flung up her head. She arched her neck and pranced with all four of her feet. She spun about, scattering those of the pedestrian classes who hemmed her so closely in. Unmindful of a sudden anxious command from her rider, she swung her foreparts this way and that. She was looking for it. It must be directly hereabouts somewhere. In those ancient days of her youthful vagabondage it had always been close at hand when that tune–her own tune–was played.

Then above the heads of the crowd she saw it–a scuffed circlet of earth measuring exactly fifty-two feet across and marking the location where the middle ring had been builded when Runyon & Bulger’s Mighty United Railroad Shows pitched their tents on the occasion of their annual Spring engagement. That had been in early May and this was summer’s third month; the attrition of the weather had worn down the sharp edges of that low turfen parapet; by rights, too, there should have been much sawdust and much smell of the same and a center pole rising like one lone blasted tree from the exact middle of a circular island of this sawdust; there should have been a ringmaster and at least two clowns and an orderly clutter of paraphernalia. Nevertheless there before her was the middle ring. And the music had started. And Mittie May answered the cue which had lived in her brain for fifteen long years and more, just as always she answered it, or sought to, when that tune smote her eardrums.

The startled spectators gave backward and to either side in scrambling retreat as she lunged forward, cleaving a passage for herself to the proper spot of entrance. She whisked in. Around the ring she sped, her hoofs drumming against the flanks of the ring-back, her barrel slanting far over in obedience to the laws of centripetal force, her tail rippling out behind her like a homebound pennon in a fair breeze–around and around and yet again and then some more.

To be sure there were irregularities in the procedure. Upon her back, springily erect, there should have been a jaunty equestrian swinging a gay pink leg in air and anon uttering the traditional Hoop-la. Instead there was a heavy bulk which embraced her neck with two strong arms, which wallowed about on her spinal column, which continually cried out entreaties, threats, commands, even profanities. Yet with Mittie May, as with most of us, habit was stronger than all else. She knew her duty as of old. She did it. Accommodating her gait to the quickening measures of the music, she stretched her legs, passing out of a rolling gallop into a hard run. Yet one more thing, or rather the lack of it, perplexed her. Attendants should be bringing forth knockdown fence-panels for her to leap over and hoops of paper for her rider to leap through. Never mind; out of her imagination she would supply these missing details when the proper moment came. She’d hurdle the hurdles which weren’t there. Meanwhile she knew what to do–around and around and around, right willingly, right blithely went Mittie May.