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And Francois read:

“I was a fool; nothing had I to know
Of men, and naught to men had I to give.
God gave me nothing; now to God I go,
Now ask for pain, for bread,
Life for my brain: dead,
By God’s love I shall then begin to live.”

The priest rose to his feet and put a hand on the young man’s shoulder.

“Do you know, Francois,” he said, half sadly, “do you know, you have the true thing in you. Come often to me, my son, and bring all these things–all you write.”

While the Cure troubled himself about his future, Francois began to work upon a monument for the grave of a dozen soldiers of Pontiac who were killed in the War of the Patriots. They had died for a mistaken cause, and had been buried on the field of battle. Long ago something would have been done to commemorate them but that three of them were Protestants, and difficulties had been raised by the bigoted. But Francois thought only of the young men in their common grave at St. Eustache. He remembered when they went away one bright morning, full of the joy of an erring patriotism, of the ardour of a weak but fascinating cause: race against race, the conquered against the conquerors, the usurped against the usurpers.

In the space before the parish church it stands–a broken shaft, with an unwound wreath straying down its sides; a monument of fine proportions, a white figure of beaten valour and erring ardour of youth and beautiful bad ambition. One Saturday night it was not there, and when next morning the people came to Mass it was there. All night had Francois and his men worked, and the first rays of the morning sun fell on the tall shivered shaft set firmly in its place. Francois was a happy man. All else that he had done had been wholly after a crude, staring convention, after rule and measure–an artisan’s, a tombstone-cutter’s labour. This was the work of a man with the heart and mind of an artist. When the people came to Mass they gazed and gazed, and now and then the weeping of a woman was heard, for among them were those whose sons and brothers were made memorable by this stone.

That day at the close of his sermon the Cure spoke of it, and said at the last: “That white shaft, dear brethren, is for us a sign of remembrance and a warning to our souls. In the name of race and for their love they sinned. But yet they sinned; and this monument, the gift and work of one young like them, ardent and desiring like them, is for ever in our eyes the crucifixion of our wrong ambitions and our selfish aims.

“Nay, let us be wise and let us be good. They who rule us speak with foreign tongue, but their hearts desire our peace and a mutual regard. Pray that this be. And pray for the young and the daring and the foolish. And pray also that he who has given us here a good gift may find his thanks in our better-ordered lives, and that he may consecrate his parts and talents to the redeeming actions of this world.”

And so began the awakening of Francois Lagarre; and so began his ambition and his peril.

For, as he passed from the church, the Seigneur touched him on the shoulder and introduced him to his English grandniece, come on a visit for the summer, the daughter of a London baronet. She had but just arrived, and she was feeling that first homesickness which succeeds transplanting. The face of the young worker in stone interested her; the idea of it all was romantic; the possibilities of the young man’s life opened out before her. Why should not she give him his real start, win his gratitude, help him to his fame, and then, when it was won, be pointed out as a discoverer and a patron?