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“Do you waltz?”

Mrs. Wade hesitated. She HAD, before marriage, and was a good waltzer. “I do,” she said timidly, “but do you think they”–

But before the poor widow could formulate her fears as to the reception of “round dances,” Brooks had darted to the piano, and the next moment she heard with a “fearful joy” the opening bars of a waltz. It was an old Julien waltz, fresh still in the fifties, daring, provocative to foot, swamping to intellect, arresting to judgment, irresistible, supreme! Before Mrs. Wade could protest, Brooks’s arm had gathered up her slim figure, and with one quick backward sweep and swirl they were off! The floor was cleared for them in a sudden bewilderment of alarm–a suspense of burning curiosity. The widow’s little feet tripped quickly, her long black skirt swung out; as she turned the corner there was not only a sudden revelation of her pretty ankles, but, what was more startling, a dazzling flash of frilled and laced petticoat, which at once convinced every woman in the room that the act had been premeditated for days! Yet even that criticism was presently forgotten in the pervading intoxication of the music and the movement. The younger people fell into it with wild rompings, whirlings, and clasping of hands and waists. And stranger than all, a corybantic enthusiasm seized upon the emotionally religious, and those priests and priestesses of Cybele who were famous for their frenzy and passion in camp-meeting devotions seemed to find an equal expression that night in the waltz. And when, flushed and panting, Mrs. Wade at last halted on the arm of her partner, they were nearly knocked over by the revolving Johnson and Mrs. Stubbs in a whirl of gloomy exultation! Deacons and Sunday-school teachers waltzed together until the long room shook, and the very bunting on the walls waved and fluttered with the gyrations of those religious dervishes. Nobody knew–nobody cared how long this frenzy lasted–it ceased only with the collapse of the musicians. Then, with much vague bewilderment, inward trepidation, awkward and incoherent partings, everybody went dazedly home; there was no other dancing after that–the waltz was the one event of the festival and of the history of Santa Ana. And later that night, when the timid Mrs. Wade, in the seclusion of her own room and the disrobing of her slim figure, glanced at her spotless frilled and laced petticoat lying on a chair, a faint smile–the first of her widowhood–curved the corners of her pretty mouth.

A week of ominous silence regarding the festival succeeded in Santa Ana. The local paper gave the fullest particulars of the opening of the hotel, but contented itself with saying: “The entertainment concluded with a dance.” Mr. Brooks, who felt himself compelled to call upon his late charming partner twice during the week, characteristically soothed her anxieties as to the result. “The fact of it is, Mrs. Wade, there’s really nobody in particular to blame–and that’s what gets them. They’re all mixed up in it, deacons and Sunday-school teachers; and when old Johnson tried to be nasty the other evening and hoped you hadn’t suffered from your exertions that night, I told him you hadn’t quite recovered yet from the physical shock of having been run into by him and Mrs. Stubbs, but that, you being a lady, you didn’t tell just how you felt at the exhibition he and she made of themselves. That shut him up.”

“But you shouldn’t have said that,” said Mrs. Wade with a frightened little smile.

“No matter,” returned Brooks cheerfully. “I’ll take the blame of it with the others. You see they’ll have to have a scapegoat–and I’m just the man, for I got up the dance! And as I’m going away, I suppose I shall bear off the sin with me into the wilderness.”

“You’re going away?” repeated Mrs. Wade in more genuine concern.

“Not for long,” returned Brooks laughingly. “I came here to look up a mill site, and I’ve found it. Meantime I think I’ve opened their eyes.”