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“I reckon that that Mr. Brooks who’s down here lookin’ arter mill property, got up the dance. He’s bin round town canvassin’ all the women folks and drummin’ up likely gals for it. They say he actooally sent an invite to the Widder Wade,” remarked another lounger. “Gosh! he’s got cheek!”

“Well, gentlemen,” said the proprietor judicially, “while we don’t intend to hev any minin’ camp fandangos or ‘Frisco falals round Santa Any–(Santa Ana was proud of its simple agricultural virtues)–I ain’t so hard-shelled as not to give new things a fair trial. And, after all, it’s the women folk that has the say about it. Why, there’s old Miss Ford sez she hasn’t kicked a fut sence she left Mizoori, but wouldn’t mind trying it agin. Ez to Brooks takin’ that trouble–well, I suppose it’s along o’ his bein’ HEALTHY!” He heaved a deep dyspeptic sigh, which was faintly echoed by the others. “Why, look at him now, ridin’ round on that black hoss o’ his, in the wet since daylight and not carin’ for blind chills or rhumatiz!”

He was looking at a serape-draped horseman, the one the widow had seen on the previous night, who was now cantering slowly up the street. Seeing the group on the veranda, he rode up, threw himself lightly from his saddle, and joined them. He was an alert, determined, good-looking fellow of about thirty-five, whose smooth, smiling face hardly commended itself to Santa Ana, though his eyes were distinctly sympathetic. He glanced at the depressed group around him and became ominously serious.

“When did it happen?” he asked gravely.

“What happen?” said the nearest bystander.

“The Funeral, Flood, Fight, or Fire. Which of the four F’s was it?”

“What are ye talkin’ about?” said the proprietor stiffly, scenting some dangerous humor.

“YOU,” said Brooks promptly. “You’re all standing here, croaking like crows, this fine morning. I passed YOUR farm, Johnson, not an hour ago; the wheat just climbing out of the black adobe mud as thick as rows of pins on paper–what have YOU to grumble at? I saw YOUR stock, Briggs, over on Two-Mile Bottom, waddling along, fat as the adobe they were sticking in, their coats shining like fresh paint–what’s the matter with YOU? And,” turning to the proprietor, “there’s YOUR shed, Saunders, over on the creek, just bursting with last year’s grain that you know has gone up two hundred per cent. since you bought it at a bargain–what are YOU growling at? It’s enough to provoke a fire or a famine to hear you groaning–and take care it don’t, some day, as a lesson to you.”

All this was so perfectly true of the prosperous burghers that they could not for a moment reply. But Briggs had recourse to what he believed to be a retaliatory taunt.

“I heard you’ve been askin’ Widow Wade to come to your dance,” he said, with a wink at the others. “Of course she said ‘Yes.'”

“Of course she did,” returned Brooks coolly. “I’ve just got her note.”

“What?” ejaculated the three men together. “Mrs. Wade comin’?”

“Certainly! Why shouldn’t she? And it would do YOU good to come too, and shake the limp dampness out o’ you,” returned Brooks, as he quietly remounted his horse and cantered away.

“Darned ef I don’t think he’s got his eye on the widder,” said Johnson faintly.

“Or the quarter section,” added Briggs gloomily.

For all that, the eventful evening came, with many lights in the staring, undraped windows of the hotel, coldly bright bunting on the still damp walls of the long dining-room, and a gentle downpour from the hidden skies above. A close carryall was especially selected to bring Mrs. Wade and her housekeeper. The widow arrived, looking a little slimmer than usual in her closely buttoned black dress, white collar and cuffs, very glistening in eye and in hair,–whose glossy black ringlets were perhaps more elaborately arranged than was her custom,–and with a faint coming and going of color, due perhaps to her agitation at this tentative reentering into worldly life, which was nevertheless quite virginal in effect. A vague solemnity pervaded the introductory proceedings, and a singular want of sociability was visible in the “sociable” part of the entertainment. People talked in whispers or with that grave precision which indicates good manners in rural communities; conversed painfully with other people whom they did not want to talk to rather than appear to be alone, or rushed aimlessly together like water drops, and then floated in broken, adherent masses over the floor. The widow became a helpless, religious centre of deacons and Sunday-school teachers, which Brooks, untiring, yet fruitless, in his attempt to produce gayety, tried in vain to break. To this gloom the untried dangers of the impending dance, duly prefigured by a lonely cottage piano and two violins in a desert of expanse, added a nervous chill. When at last the music struck up–somewhat hesitatingly and protestingly, from the circumstance that the player was the church organist, and fumbled mechanically for his stops, the attempt to make up a cotillon set was left to the heroic Brooks. Yet he barely escaped disaster when, in posing the couples, he incautiously begged them to look a little less as if they were waiting for the coffin to be borne down the aisle between them, and was rewarded by a burst of tears from Mrs. Johnson, who had lost a child two years before, and who had to be led away, while her place in the set was taken by another. Yet the cotillon passed off; a Spanish dance succeeded; “Moneymusk,” with the Virginia Reel, put a slight intoxicating vibration into the air, and healthy youth at last asserted itself in a score of freckled but buxom girls in white muslin, with romping figures and laughter, at the lower end of the room. Still a rigid decorum reigned among the elder dancers, and the figures were called out in grave formality, as if, to Brooks’s fancy, they were hymns given from the pulpit, until at the close of the set, in half-real, half-mock despair, he turned desperately to Mrs. Wade, his partner:–