FullReads

“The raven? No,” said the virtuoso; “it is a bird of modern date. He belonged to one Barnaby Rudge, and many people fancied that the Devil himself was disguised under his sable plumage. But poor Grip has drawn his last cork, and has been forced to ‘say die’ at last. This other raven, hardly less curious, is that in which the soul of King George I. revisited his lady-love, the Duchess of Kendall.”

My guide next pointed out Minerva’s owl and the vulture that preyed upon the liver of Prometheus. There was likewise the sacred ibis of Egypt, and one of the Stymphalides which Hercules shot in his sixth labor. Shelley’s skylark, Bryant’s water-fowl, and a pigeon from the belfry of the Old South Church, preserved by N. P. Willis, were placed on the same perch. I could not but shudder on beholding Coleridge’s albatross, transfixed with the Ancient Mariner’s crossbow shaft. Beside this bird of awful poesy stood a gray goose of very ordinary aspect.

“Stuffed goose is no such rarity,” observed I. “Why do you preserve such a specimen in your museum?”

“It is one of the flock whose cackling saved the Roman Capitol,” answered the virtuoso. “Many geese have cackled and hissed both before and since; but none, like those, have clamored themselves into immortality.”

There seemed to be little else that demanded notice in this department of the museum, unless we except Robinson Crusoe’s parrot, a live phoenix, a footless bird of paradise, and a splendid peacock, supposed to be the same that once contained the soul of Pythagoras. I therefore passed to the next alcove, the shelves of which were covered with a miscellaneous collection of curiosities such as are usually found in similar establishments. One of the first things that took my eye was a strange-looking cap, woven of some substance that appeared to be neither woollen, cotton, nor linen.

“Is this a magician’s cap?” I asked.

“No,” replied the virtuoso; “it is merely Dr. Franklin’s cap of asbestos. But here is one which, perhaps, may suit you better. It is the wishing-cap of Fortunatus. Will you try it on?”

“By no means,” answered I, putting it aside with my hand. “The day of wild wishes is past with me. I desire nothing that may not come in the ordinary course of Providence.”

“Then probably,” returned the virtuoso, “you will not be tempted to rub this lamp?”

While speaking, he took from the shelf an antique brass lamp, curiously wrought with embossed figures, but so covered with verdigris that the sculpture was almost eaten away.

“It is a thousand years,” said he, “since the genius of this lamp constructed Aladdin’s palace in a single night. But he still retains his power; and the man who rubs Aladdin’s lamp has but to desire either a palace or a cottage.”

“I might desire a cottage,” replied I; “but I would have it founded on sure and stable truth, not on dreams and fantasies. I have learned to look for the real and the true.”

My guide next showed me Prospero’s magic wand, broken into three fragments by the hand of its mighty master. On the same shelf lay the gold ring of ancient Gyges, which enabled the wearer to walk invisible. On the other side of the alcove was a tall looking-glass in a frame of ebony, but veiled with a curtain of purple silk, through the rents of which the gleam of the mirror was perceptible.

“This is Cornelius Agrippa’s magic glass,” observed the virtuoso. “Draw aside the curtain, and picture any human form within your mind, and it will be reflected in the mirror.”

“It is enough if I can picture it within my mind,” answered I. “Why should I wish it to be repeated in the mirror? But, indeed, these works of magic have grown wearisome to me. There are so many greater wonders in the world, to those who keep their eyes open and their sight undimmed by custom, that all the delusions of the old sorcerers seem flat and stale. Unless you can show me something really curious, I care not to look further into your museum.”