**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

A Tour In The Forest
by [?]

FIRST DAY

The sight of the vast pinewood, embracing the whole horizon, the sight of the ‘Forest,’ recalls the sight of the ocean. And the sensations it arouses are the same; the same primaeval untouched force lies outstretched in its breadth and majesty before the eyes of the spectator. From the heart of the eternal forest, from the undying bosom of the waters, comes the same voice: ‘I have nothing to do with thee,’–nature says to man, ‘I reign supreme, while do thou bestir thyself to thy utmost to escape dying.’ But the forest is gloomier and more monotonous than the sea, especially the pine forest, which is always alike and almost soundless. The ocean menaces and caresses, it frolics with every colour, speaks with every voice; it reflects the sky, from which too comes the breath of eternity, but an eternity as it were not so remote from us…. The dark, unchanging pine-forest keeps sullen silence or is filled with a dull roar–and at the sight of it sinks into man’s heart more deeply, more irresistibly, the sense of his own nothingness. It is hard for man, the creature of a day, born yesterday, and doomed to death on the morrow, it is hard for him to bear the cold gaze of the eternal Isis, fixed without sympathy upon him: not only the daring hopes and dreams of youth are humbled and quenched within him, enfolded by the icy breath of the elements; no–his whole soul sinks down and swoons within him; he feels that the last of his kind may vanish off the face of the earth–and not one needle will quiver on those twigs; he feels his isolation, his feebleness, his fortuitousness;–and in hurried, secret panic, he turns to the petty cares and labours of life; he is more at ease in that world he has himself created; there he is at home, there he dares yet believe in his own importance and in his own power.

Such were the ideas that came into my mind, some years ago, when, standing on the steps of a little inn on the bank of the marshy little river Ressetta, I first gazed upon the forest. The bluish masses of fir-forest lay in long, continuous ridges before me; here and there was the green patch of a small birch-copse; the whole sky-line was hugged by the pine-wood; nowhere was there the white gleam of a church, nor bright stretches of meadow–it was all trees and trees, everywhere the ragged edge of the tree-tops, and a delicate dim mist, the eternal mist of the forest, hung over them in the distance. It was not indolent repose this immobility of life suggested; no–the absence of life, something dead, even in its grandeur, was what came to me from every side of the horizon. I remember big white clouds were swimming by, slowly and very high up, and the hot summer day lay motionless upon the silent earth. The reddish water of the stream glided without a splash among the thick reeds: at its bottom could be dimly discerned round cushions of pointed moss, and its banks sank away in the swampy mud, and sharply reappeared again in white hillocks of fine crumbling sand. Close by the little inn ran the trodden highroad.

On this road, just opposite the steps, stood a cart, loaded with boxes and hampers. Its owner, a thin pedlar with a hawk nose and mouse-like eyes, bent and lame, was putting in it his little nag, lame like himself. He was a gingerbread-seller, who was making his way to the fair at Karatchev. Suddenly several people appeared on the road, others straggled after them … at last, quite a crowd came trudging into sight; all of them had sticks in their hands and satchels on their shoulders. From their fatigued yet swinging gait, and from their sun-burnt faces, one could see they had come from a long distance. They were leatherworkers and diggers coming back from working for hire.