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“Wonder whether he’s got parents in the stage, and has been playing truant here,” he mused, lazily. “Looked as if he’d been up to some devilment, or more like as if he was primed for it. If he’d been a little older, I’d have bet he was in league with some road-agents to watch the coach. Just my luck to have him light out as I was beginning to get some talk out of him.” He paused, looked at his watch, and straightened himself in his stirrups. “Four o’clock. I reckon I might as well try the woods and what that imp calls the ‘bresh;’ I may strike a shanty or a native by the way.”

With this determination, Mr. Hamlin urged his horse along the faint trail by the brink of the watercourse which the boy had just indicated. He had no definite end in view beyond the one that had brought him the day before to that locality–his quest of the unknown poetess. His clue would have seemed to ordinary humanity the faintest. He had merely noted the provincial name of a certain plant mentioned in the poem, and learned that its habitat was limited to the southern local range; while its peculiar nomenclature was clearly of French Creole or Gulf State origin. This gave him a large though sparsely-populated area for locality, while it suggested a settlement of Louisianians or Mississippians near the Summit, of whom, through their native gambling proclivities, he was professionally cognizant. But he mainly trusted Fortune. Secure in his faith in the feminine character of that goddess, he relied a great deal on her well-known weakness for scamps of his quality.

It was not long before he came to the “slide”–a lightly-cut or shallow ditch. It descended slightly in a course that was far from straight, at times diverging to avoid the obstacles of trees or boulders, at times shaving them so closely as to leave smooth abrasions along their sides made by the grinding passage of long logs down the incline. The track itself was slippery from this, and preoccupied all Hamlin’s skill as a horseman, even to the point of stopping his usual careless whistle. At the end of half an hour the track became level again, and he was confronted with a singular phenomenon.

He had entered the wood, and the trail seemed to cleave through a far-stretching, motionless sea of ferns that flowed on either side to the height of his horse’s flanks. The straight shafts of the trees rose like columns from their hidden bases and were lost again in a roof of impenetrable leafage, leaving a clear space of fifty feet between, through which the surrounding horizon of sky was perfectly visible. All the light that entered this vast sylvan hall came from the sides; nothing permeated from above; nothing radiated from below; the height of the crest on which the wood was placed gave it this lateral illumination, but gave it also the profound isolation of some temple raised by long-forgotten hands. In spite of the height of these clear shafts, they seemed dwarfed by the expanse of the wood, and in the farthest perspective the base of ferns and the capital of foliage appeared almost to meet. As the boy had warned him, the slide had turned aside, skirting the wood to follow the incline, and presently the little trail he now followed vanished utterly, leaving him and his horse adrift breast-high in this green and yellow sea of fronds. But Mr. Hamlin, imperious of obstacles, and touched by some curiosity, continued to advance lazily, taking the bearings of a larger red-wood in the centre of the grove for his objective point. The elastic mass gave way before him, brushing his knees or combing his horse’s flanks with wide-spread elfin fingers, and closing up behind him as he passed, as if to obliterate any track by which he might return. Yet his usual luck did not desert him here. Being on horseback, he found that he could detect what had been invisible to the boy and probably to all pedestrians, namely, that the growth was not equally dense, that there were certain thinner and more open spaces that he could take advantage of by more circuitous progression, always, however, keeping the bearings of the central tree. This he at last reached, and halted his panting horse. Here a new idea which had been haunting him since he entered the wood took fuller possession of him. He had seen or known all this before! There was a strange familiarity either in these objects or in the impression or spell they left upon him. He remembered the verses! Yes, this was the “underbrush” which the poetess had described: the gloom above and below, the light that seemed blown through it like the wind, the suggestion of hidden life beneath this tangled luxuriance, which she alone had penetrated,–all this was here. But, more than that, here was the atmosphere that she had breathed into the plaintive melody of her verse. It did not necessarily follow that Mr. Hamlin’s translation of her sentiment was the correct one, or that the ideas her verses had provoked in his mind were at all what had been hers: in his easy susceptibility he was simply thrown into a corresponding mood of emotion and relieved himself with song. One of the verses he had already associated in his mind with the rhythm of an old plantation melody, and it struck his fancy to take advantage of the solitude to try its effect. Humming to himself, at first softly, he at last grew bolder, and let his voice drift away through the stark pillars of the sylvan colonnade till it seemed to suffuse and fill it with no more effort than the light which strayed in on either side. Sitting thus, his hat thrown a little back from his clustering curls, the white neck and shoulders of his horse uplifting him above the crested mass of fern, his red sash the one fleck of color in their olive depths, I am afraid he looked much more like the real minstrel of the grove than the unknown poetess who transfigured it. But this, as has been already indicated, was Jack Hamlin’s peculiar gift. Even as he had previously outshone the vaquero in his borrowed dress, he now silenced and supplanted a few fluttering blue-jays–rightful tenants of the wood–with a more graceful and airy presence and a far sweeter voice.